Caroline Leaf

A trio of short films commissioned to be shown to visitors entering the National Freedom Center in Cincinnati Ohio. Freedom and Unfreedom by Aleksandra Korejwo uses sand animation. Slavery by Caroline Leaf shows the hardship of the life of a house slave in the American South before the Civil War, telling the events in one day in her life. The Underground Railroad by Luc Perez is the final film in the trilogy.

The story is designed to be part of a trilogy of animated films called Suite For Freedom, which was commissioned to be shown to visitors entering the National Freedom Center in Cinncinnati Ohio. Slavery shows the hardship of the life of a house slave in the American South before the Civil War, telling the events in one day in her life.

Animated commercial short directed by Caroline Leaf.

I Met a Man is a piece of whimsy inspired by the ever present whistling wind on the Irish coast of County Cork where the filmmaker was living when she made the film. The film is scratched in 35mm film stock with color added in video postproduction.

A facially disfigured author's life with her guardian of a sister is disrupted when a stranger arrives at their door, claiming to be a fan.

Is a version of an age old verbal teaching tool, the parable. Traditionally an oral form of storytelling used to transmit moral insights, the parable concisely expresses a human dilemma with a surprise twist at the end. The narrator in this film is a streetwise dog who observes the social life of a Mexican market from its underside. He tells a story about a prosperous merchant in the market who was once also out on the street and who was refused a street sweeper's job because he could not read or write. The dog's point is that ingenuity and motivation can be as important to success as more conventionally measured qualifications. The actors are Bob Pot and Grant Heisler.

In this parable, a hungry fox hunts for his dinner one night in the jungle. Nearby is a tiger who is also pondering his next meal. The tiger catches the fox, but the cunning fox manages to outwit the proud tiger. This striking film uses cutouts and actors in masks to tell its tale. It will stimulate discussion on leadership qualities, such as brain versus brawn, on values and on conflict resolution.

The Owl and the Pussycat is a live action puppet film. The owl and pussycat are actors in costume, and the backgrounds are rear screen projection: drawings were projected onto a silver screen behind the actors, and filmed through a two way mirror. The lyrics are Edward Lear's well known nonsense poem which Stravinsky put to music as a birthday gift to his wife. Here they are sung by Phyllis Bryn-Julsen. The film was made with a grant from the Canada Council. The actors are Bob Pot and Grant Heisler.

Live-action drama conceived for educational and social debate purposes.

A short documentary about singers Kate and Anna McGarrigle made by animator Caroline Leaf.

A freewheeling cinematic experience, this film is the work of two filmmakers who relate their perceptions of each other through their respective animation techniques. Images and words are paired in startling associations. Each does a visual portrait of the other, based on characteristic gestures and impressions. A combination of techniques and materials produces a film of rich visual texture shaped by the hands and heads of two very different people.

An animated adaptation of Franz Kafka’s acclaimed novella, “The Metamorphosis,” made from carving images into sand with glass.

This film deals with a Jewish family in Montreal, Canada as they care for a dying grandmother and the young boy who is impatient to get the room he was promised as soon as she kicks the bucket.

In this short animation based on an Inuit legend, a goose captures the fancy of an owl, a weakness for which he will pay dearly. The sound effects and voices are Inuktitut, but the animation leaves no doubt as to the unfolding action. A story with the wry humor characteristic of many Inuit tales.

Caroline Leaf's second animated short film. The filmmaker reinterprets the Greek myth of Orpheus and Eurydice in a very free and poetic way. Here, human figures constantly transform into elements of nature—flowers, birds, fish, and even a centaur—underscoring the ever-changing nature of love and identity, and placing more emphasis on the transformative power of art and music than on the myth's usual tragic ending.

Sand or Peter and the Wolf is a loose interpretation of the fable Peter and the Wolf, in which a boy's fear of the dark, the woods, and the wolf, is confronted and resolved. The film shows the extraordinary graphic possibilities of one of nature's most ordinary substances, sand.