Eduardo Serrano

Filmmaker Jafar Panahi recalls the cinephilia of his youth from the surreal remove of the 2025 New York Film Festival.

Sérgio is determined to take over his family's construction company to pursue a long-buried dream. But when he uncovers a hidden chapter from his father's past, his ambitions are shaken, forcing him to confront the man he has truly become.

Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.

Livia and her friend Luci rediscover the joys of life through dance.

Summer 1996, north-east coast of Brazil. Tamara is enjoying her last weeks at the fishing village she lives in before departing to Brasilia for her studies. One day, she hears about a teenager nicknamed Heartless after a scar she has on her chest. Over the course of the summer, Tamara feels a growing attraction for this mysterious girl.

Film about the Bahian singer dives into the moment when shy Gracinha becomes Gal Costa, during the violent, innovative and mind-blowing years that helped shape Brazil's greatest singer.

Marina Lenk is an experienced synchronized diver. However, an attack of Tinnitus — an unbearable ringing sound in the ears — drags her from the top of her game to the edge of madness.

The interlocking stories of two Lakota boys growing up on Pine Ridge Reservation. At 23, Bill just wants to make something of himself. Meanwhile, 12-year-old Matho can’t wait to become a man. Bound by their shared search for belonging, each of the boys grapple with identity, family, and loss, as they navigate their unique paths to manhood.

During a carnival, near the border between Argentina and Bolivia, a young Malambo dancer prepares for the most important competition of his life. When his ex-felon father returns, he jeopardizes everything by dragging his son into the criminal world.

Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.

In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.

In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.

Tayra and I grew up on a beach in the north east of Brazil. We were inseparable. The sea breeze brings me back happy memories.

Miguel —alias Tibars, alias “Djon África,” born and raised in Portugal— is a kindhearted Rastafarian who loves women and lives a carefree life. Until one day a stranger tells him he's the spitting image of his father, “a player and a crook.” His father, whom he never even knew! This intriguing discovery makes him change tack. Particularly when his grandmother, who always took care of him, finally tells him how his father was in prison; how sad Miguel was as a toddler when he couldn't see him; how his father was banished to Cape Verde. Miguel goes there to visit him. Who is this man?

A hot summer weekend in Buenos Aires. Jorge and Mabel spend their last hours together as a couple in their family home that has already been sold.

Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.

Clara, a vibrant former music critic and widow with flowing tresses is the only remaining apartment owner in a beautiful older building targeted for demolition by ruthless luxury high-rise developers. Clara proves to be a force to be reckoned with as she thwarts the builders plans to kick her out of the apartment.

Iremar works at the rodeo in North East of Brazil. From his home, the truck he uses to transport the animals, he dreams of a future in the region's booming clothing industry.

In four acts, dancers combine steps of frevo, a traditional Carnival dance of Pernambuco State (Brazil), with others typical of contemporary rhythms like funk, swingueira, electro, and vogue.

A photographer travels to São Paulo for his first solo exhibition and decides to stay in his now married, ex-girlfriend’s house.

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

Cris, aged 12, and her brother are left at the side of the road by their parents. The punishment quickly turns into an even greater challenge.

Seven adolescents take on the mission of filming, for one week, their family's housemaids and hand over the footage to the director to make a film. The images that confront us uncover the complex relationship that exists between housemaids and their employers, a relationship that confuses intimacy and power in the workplace and provides us with an insight into the echoes of a colonial past that linger in contemporary Brazil.

Rodrigo is a young deaf man from Recife, northeast Brazil who works installing car stereos in a small dealership on the outskirts of town. Despite his deafness, sound penetrates his day to day life and he harnesses its vibrations, allowing it to pulse through his veins.

In an inhospitable place, a boy and his family struggle for survival.