Eduardo Noya Schreus

Bruno's unreasonable-symbiotic relationship with his mother Ton is put to the test when her new partner Hannah moves into their shared bungalow in Spain. Until now Bruno alone has been the centre of his mother's attention, now he has to share it with Hannah by force.

Morphē is a short film conceived by multidisciplinary artist Lucy McRae in collaboration with Australian skincare brand Aesop. It playfully presages a new juncture for science and beauty, transforming an old Amsterdam church into a meticulously ordered space that references Aesop’s own laboratory. Here, a painstaking Scientist employs an assortment of gels, liquids, and weird contraptions to minister arcane beauty treatments to a sleeping Muse. The skin and hair play key roles for the female specimen fortunate enough to be on the receiving end of a new kind of super-sensory beauty treatment. McRae describes her film inspired chiefly by nineteenth-century scientist and philosopher Hermann von Helmholtz, and his revolutionary research on human perception: ‘Everything’, wrote Helmholtz, ‘is an event on the skin’. ‘I wanted to suggest a journey inside a world beyond skin care, one that involves farther realms of perception within the sensory landscape of the human body.'

The story of an impossible love between a woman named Fred and a transgender woman named Laurence who reveals her inner desire to become her true self.