Chan Ki-Yui

Tsui Hark stars as Chinese artist and Buddhist monk Li Shutong, a.k.a. Master Hong Yi. Li travels to Japan to study Western artistic practices, and revolutionizes the teaching of art in China upon his return. Set during the turbulent era of the Russo-Japanese War circa 1905.

A dangerous criminal escapes captivity – but luckily crime-busting super-swordswoman Leng Rushuang (Shih Szu) is on his trail. However, she has doubts about his guilt, and she's not going to stop fighting until she's sure the right man is being punished.

A small village is taken over by the nasty Japanese, who kill the town's top kung fu fighter in order to scare the populace into submission. Escaping the wrath of the Japanese, the son of the master flees into the hills, where he trains with a group of rebels led by Gam Kei-Chu. Fast-forward ten years, and Chuen returns to the village armed with his father's secret technique of the Thunderbolt Fist with the hopes of killing the leader of the Japanese.

The Yang family, men and women, have served their country loyally for generations. During the war General Yang is ambushed and killed. His widow and the entire family set out to avenge his death and defend the country.

The Jiuxian Witch and her Bloody Ghouls Clan (somehow you just know that these aren’t the good guys) are planning domination of the Martial Arts world. Standing in their way are two clans who posses a magic mirror each. The two clans enjoy friendly relations, but when one mirror is stolen and the blame seems to rest with the other Clan, suspicions and tempers run high. It’s left to the young renegades from each Clan to find the true culprit or culprits, and to ease the tensions of their families. Not to mention ridding the world of the evil Jiuxian Witch.

Instructor Lin who is home from training the imperial troops for several years. He meets his wife and runs into his brother who has become a monk at the local temple. His superior Lord Gao, strangely decides to rape Lin's wife in the temple but Lin interrupts the crime. His brother is enraged and tries to kill Gao but Lin stops him with the help of Lin's training brother and old friend Lu who works for Gao. Lin is loyal to the Commissioner and will not do anything to harm his son. Once back at the Commissioner's house, Gao and Lu hatch a plan to discredit and eventually kill Lin all with the Commissioner's approval. The plan is put into motion and Lin is unjustly arrested for trespassing on imperial property.

Three martial arts directors united for this unique anthology film. Yueh Feng writes and directs a clever love-and-kung-fu triangle, Cheng Kang both writes and directs kung-fu courtesans battling brigands, and the "godfather of the kung-fu film," Chang Cheh, creates a cliff-hanging, swashbuckling mini-movie with maxi-action.

A young boxer joins a martial arts school to increase his skill so he can enter a martial arts competition. He leaves the school when he hears that a local gangster is terrorizing the town. He comes to the aid of a young singer and brings on the wrath of the local gang. He eventually enters the martial arts competition after learning iron palm technique and takes out all competition.

This creepy kung fu film fight-fest centers on the evil Madame Kung Sun and her poisonous "Finger of Doom", a unique supernatural power which allows her to transform normal, everyday people into horrifying zombies! In the face of this devastating talent, only one person has the guts to stop Madame Kung Sun in her chilling bid for martial arts supremacy - the villainess' own sister. But it's not something she can do alone, so this heroic young woman joins forces with three world-weary martial artists, The brothers-in-arms were actually looking to retire from the world of Jiang Hu, but now find themselves thrown back into the mix, embarking on one last mission to save the world from machinations of the venomous Madame Kung Sun!

Renowned writer Shen Chiang had become so popular for his scripts that the studio let him direct as well. Here he continued his winning ways with this tale of the end of the Sung Dynasty and the survivors who band together to save their prime minister. Shen outdoes himself with this bold and stirring story of daring Sung avengers (led by Shaws' first international star, Lo Lieh), who must fight their way out of trap after trap.

The swordsman Zhang Zhen is injured in a misadventure and rescued by Eldest Sister of Changchun Sect, who has a crush on him. However, Zhang falls in love with the maid Yuenu instead, and conceives twins with her. The couple are killed by a group of evil pugilists later. The Eldest Sister is angry with Zhang Zhen for not accepting her and plans to make Zhang's children kill each other as revenge. The baby girl (Xiaolu'er) is saved by Zhang's friend, Lian Lanyan, while the male infant (Hua Yuchun) is taken away by the Eldest Sister. Lian Lanyan encounters the Ten Villains when he passes through Villains' Valley. He is overwhelmed by them and knocked out in a fight. The baby Xiaolu'er is taken away by the Villains, who surprisingly do not harm her, and instead intend to groom her to become the greatest villain ever. Eighteen years later, the twins meet each other by coincidence.

The Yu family earn the ire of the Green Dragon clan when the daughter kills the clan chief's son. The Green Dragon chief wounds family head Yu Yuan with his flying daggers, and kills many others who try to protect the noble family. Wandering swordsman Ying Qing saves the family in a fight, using his own flying dagger skills, but his allegiances and motives are unclear.

After the events of The One-Armed Swordsman (1967), a retired Fang Gang is drawn back into the jianghu to protect various young apprentices whose swordsmanship schools have been terrorized by 8 evil swordsmen seeking to rule the jianghu.

The bandits of Hulu Valley murder the chief of Mei Clan while searching for a treasure map. In retaliation, the clan’s leading swordsman Feng-chun (Chan Leung) infiltrates the bandit’s fortress hideout in anticipation of a surprise attack by a larger force and unexpectedly finds himself romantically involved with the bandit leader’s feisty daughter (Cheng Pei-Pei).

A simple woodcutter named Wei Fu finds his world shattered when three murderous horsemen arrive to kill his family and kidnap his sister. Left with nothing but his mother’s bell-laden bracelet, he sets out to seek his revenge. Lucky for him, Wei Fu encounters a master swordsman, who takes him under his wing.

Golden Swallow revolves around the further adventures of its title character. This time around, she is forced into violence when a figure from her mysterious past goes on a killing rampage while leaving evidence that holds her responsible. Golden Swallow also makes room for a love triangle involving a mad, but righteous, swordsman named Silver Roc and a gentle warrior named Golden Whip. The three team up to conquer the evil forces of the martial world, but their joint venture only lasts so long, due to the two men's egos. Ultimately, a duel to the death is planned between them, leaving Golden Swallow caught between two men, both of whom she admires.

In 1966, like in The Love Eterne, Ling Bo took up the male lead in Forever and Ever, despite Shaw Brothers' earlier plan of having her as the female lead. Facing opposition from fans, they finally arranged for her to star as a male student named Xiaowen. Wicked rich man Liu, portrayed by Lo Wei, the director of this film, wants Xiaowen to marry his daughter (Lin Yu) who is suffering from leprosy, thinking that marriage will take away her disease. Although Xiaowen discovers Liu's plan, he is still in love with her and hopes that a miracle will cure her disease...

Yu is a swordsman who is betrayed by a jealous rival, but initially seeks a life of simple pleasures until an accidental meeting with another patriot sets him back on the road to bloody, brutal vengeance.

A young swordsman is tasked to lead a patriotic secret society to fight a traitorous general who conspired with the enemy to invade their country. In due course, he meets two pretty sisters from a rural tribe and is caught between the affections of the two girls...

The heroine, Liu Yanniang, is a beautiful and virtuous woman who is in love with her husband, Wang Zhengtu. However, because of her disagreement with her sister-in-law, Yuhuan, who was unfortunately killed, Yaniang was mistakenly accused of murder by the king's mother and her husband's son-in-law. The governor of Suzhou, Mr. Yan Wentian, is very strict with the king, but just when he finds a clue, the witness is killed again. Yen is not satisfied with his efforts, but he realizes that the murderer has already come to his doorstep.

A noble swordsman, whose arm had been chopped off, returns to his former teacher to defend him from a villainous gang of rival swordsmen.

The adventures of a young married swordfighting couple, Lianzhu and Gui Wu, and the swordfighting members of their different clans.

Chivalrous swordsman Jun-zhao goes in search of a fugitive named Li Yueh in order to reunite him with his love, Liu Xian. Though the two men meet and become loyal brothers, Li does not reveal his true identity until Jun-zhao's life is endangered by swordsmen from Flying Fish Island who are looking for revenge.

Huangmei Opera movies like The Pearl Phoenix are unique to 1960's Hong Kong culture, a product of the Swinging Sixties but considerably more in touch with their Chinese roots. This one is complete with a gender-bending tale where the male lead is played by female and the female lead poses as a man, plus movie queen Li Ching and the singing voices of Ivy Ling Po and Jing Ting. Sit back and enjoy!

Ling Bor plays Wen Fei E who is both an excellent academic as well as martial arts expert. Since her childhood days fond of dressing up as a boy, she becomes a village scholar sharing classes with Tu Zi Zheng (Chin Feng) and Wei Zhun Zhi (Ho Fan). When Fei E's innocent father is framed and sent to prison, she rushes to his rescue saving Jing Fu Quan (Kam Fie) who is in the hands of robbers along the way. Mistaking Fei E to be a noble hero, Fu Quan has no greater wish than to get married to her savior...

A wandering swordsman named Lu Fang who is returning from battle discovers that several farmers have kidnapped the local magistrate’s daughter. He sides with them after learning that this is an act of desperation to improve their low standard of living.

The lovely Li Hsiang-chun stars as a poor beauty who is drugged, ravished, lied to, locked in a burning store room, left to drown, and chased by sword-wielding ruffians, among other things. Her only hope is her betrayer's new wife, played by the strong and sensual Ivy Ling Po. Dawn may come, but the questions is: will it be too late? Director/writer Kao Li shows both restraint and sadism in this historical melodramatic tearjerker.

THE MONKEY GOES WEST is the first entry in the studio’s epic, four-part screen adaptation of “Journey to the West,” a 16th-century novel recounting the efforts of a Buddhist monk and his magical companions to travel to India and bring back Buddhist sutras.

Jimmy Wang Yu plays a young kid who heads off to Dragon Valley to meet the childhood friend who was promised as his bride. When he gets there, he finds that the family of the bride might not be an entirely honest bunch of people though. What is the story behind their feud with the monks at the Temple Of The Red Lotus, for a start?

The Goddess of Hua Mountain is imprisoned for falling in love with a mortal, meanwhile her son is raised in secret until he can attempt to free her.

With China under control of a weak Emperor, two officials compete to steer the future destiny of the land. Chiu believes the people are the future of China, while the diabolical Tu wishes to grind the people beneath an iron heel. Tu decides to take out Chiu's family, but one lone infant escapes.

The story revolves around Tian Yu Quan (Chin Feng) who rushes to the aid of an elderly fisherman who is bullied by an arrogant relative of the Qiu Shan ministry. In the heat of the ensuing battle he kills the said man and is hence chased by the district's officials. Trying to use the waterway to shake off his enemies, Yu Quan finds a true friend in the old fisherman's bark-stearing daughter, Hu Feng Lian (Ting Hung) who becomes his loyal accomplice. As symbol for his gratitude, Yu Quan bestows Feng Lian with a Butterfly Chalice to reflect their eternal friendship bond...

A Huangmei opera produced by Shaw Brothers about a carp spirit who transforms into an identical copy of a beautiful woman to win the heart of a lonely male scholar.

The husband-and-wife team of Ivy Ling Po and Chin Han returned to another Huangmei Opera classic after Lady General Hua Mu-Lan. Helmed by Chow Sze-loke and written by Chang Cheh, the story revolved around two intellectual siblings, Ching Feng-sheng (Chin Feng) and Ching Feng-hsiao (Ivy Ling Po), who were constantly abused by their stepmother Hsia (Kao Pao-shu). Feng-hsiao was engaged to Li Ru-lung (Chin Han) since birth, but the greedy Hsia forced him to forfeit the marriage. When Ru-lung refused, Hsia framed him for thievery and put him behind bars. To rescue her lover, Feng-hsiao dressed as a young man and went to the capital. She then used Ru-lung's name to enter the national exam and was ranked first place. Impressed by Feng-hsiao, the Emperor decided to let her wed the Princess (Fang Ying). On the wedding night, Feng-hsiao revealed the truth to the Princess...

Beyond the Great Wall is a true story based on how Wang Chao-chun sacrificed her love and life for the good of the Chinese people during war time fears between China and the Huns.

Ling Bo is Lin, a young man engaged to the daughter of a rich man, who now despises Lin because of his family's declining status. Lin visits his beloved fiancee before he heads towards the imperial city to participate in the civil service examination, only to find her maid lying dead in blood. Lin is then accused of murder. How can Judge Bao prove his innocence?

This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.

About a woman who disguises herself as a man to take her father's place in the army.

Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.

A woman in an arranged marriage falls in love with her husband's brother.

Based on one particular storyline from The Water Margin, Three Sinners weaves an intriguing story of romance, treachery, and death, all within the context of the traditional Huangmei Opera. Yan Jun casts his real-life wife, the elegant Li Li Hua, star of such Shaw Brothers films as The Goddess of Mercy and Vermillion Door, as one of the title characters, a woman who finds herself in the middle of a stormy love triangle involving her controlling husband (director Yan Jun serving double duty in a starring role) and a passionate lover (Chen Yan Yan).

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.

Return Of The Phoenix is yet another masterpiece from prolific director Li Han-hsiang. An imperial minister Cheng Pu (Ching Miao) is faced with a quandary. He's getting old and his daughters are still not married. Elder daughter Shueh-yeh (Elizabeth Chuang) is so ugly no one wants her. Younger daughter Shueh-wu (Li Hsiang-chun) is beautiful but Mrs Cheng refuses to let her marry before her elder sister. The drama unfolds when Cheng decides to marry Shueh-wu off.

To put her younger sister Huilan (Margaret Tu Chuan) through college, Huilian (Grace Ting Ning) became a taxi dancer and is despised by Huilan. Now married to a good husband (Guan Shan), the lonely Huilan falls for a man after her money. To protect her younger sister, Huilian puts herself at risk. Grace Ting Ning plays a sad role, as the noble sister who keeps her purity in a cesspool.

The Black Fox (黑狐狸) is a 1962 Hong Kong thriller film directed by Yan Jun. The film was produced under the Shaw Brothers banner in the Mandarin language.

This Classic Seductive tale of two snakes who assume human forms will send chills of pleasure down viewers' backs. The Lovely Linda Lin Dai (Les Belles, The Kingdom And The Beauty) and margaret Tu Chuan (The Dream of The Red Chamber) play the two sister serpents, Pak Su-cheng and Ching Ching. Su-cheng meets Hsu Hsien (Chao Lei) one day and recognizes him as her savior in another life 1,000 years ago. She marries him to reward him but the snake-human union brings about problems beyond imagination.

Li Qingqing, an orphan, just arrives in Hong Kong and becomes a singer who sacrifices everything for her man.

A Shaw Brothers production

A drama film by the Shaw Brothers studio.

A film drama by the Shaw Brothers studio.

A Shaw Brothers production

Nurse Leng Shuxian is forced by family circumstances to marry Long Yusheng (King Hu), a grossly disfigured Quasimodo with a heart of gold. Shuxian tries but is unable to accept his deformity and they remain a couple in name only. With the appearance of Yusheng's cousin, she has to make a choice between personal happiness and family duty. From the start, Loh's character and drove the action, evoking a great intensity of emotions along the way: suffering, resignation and loneliness. Loh was lauded as the "Queen of Tragedy" after her heart-wrenching portrayal in this film. Winner of two Golden Harvest Awards – for best screenplay and best black-and-white cinematography – at the 8th Asian Film Festival in 1961.

A Shaw Brothers film from 1959

After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.

The town is rumoured to be haunted. Cheung Siu-chen pretends to be possessed so that her lover Lau Tin and his friend Lee Luk may heroically exorcise the ghost and curry favour with her father. Driven by greed and lust, the attendant of the ancestral temple and his underlings cast an enticing spell on Cheung and claim that Cheung is possessed with a fierce ghost. Lau and Lee expose the hoax and redeem Cheung. Cheung's father happily gives his consent to the marriage between his daughter and Lau.

A Shaw Brothers production

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

Early Shaw Brothers comedy

Wan Jialiang, a factory worker, and Lu Xiuzhen fall in love and live together. Hou Liang is supported by Dong Yaqin, his cousin, and their lives improve. Desperate to get rid of Jane, who is pregnant, Jialiang plans to make her fall into the sea and die.

Based on Romance of the Three Kingdoms, Diau Charn is a sublime retelling of a familiar tale with iconic actress Linda Lin Dai (Lam Doi) in the titular role of Diau Charn, one of the four storied beauties of ancient China.

A Shaw Brothers production

Iron-Beaked Hen and Fatso Bo on their way to the city to help a relative out of some trouble, they run into a band of robbers. They stop over an allegedly haunted house where they save the lovers To Lok-yin and Yu Mei-yung from their attemped suicide. Hen learn their story and decide to help them out. Yin comes from a rich family, he lost his father when he was very young and was brought up by his uncle. Now that he is old enough to claim his inheritance, the guardian, his uncle, in order to keep the fortune under control, forces him to marry a girl of his choosing. The couple cannot face separation and resolve to end their lives together. Hen thinks of a way to help them, which involves Yin pretending to comply; that is, to go ahead with the marriage arrangement. On the wedding day, they swap the bride with Yung. Disguised as a matchmaker and a county official respectively, Hen and Bo reprimand To's uncle who schemes to seize To's family fortune. To and Yu marry.

Lai-ying (Cheng Bik-ying) is a wealthy socialite who travels globally. Tired of her lifestyle, she sends her secretary Kiu (Tam Lan-hing) to stand in for her in a social function in Hong Kong. Local rich playboy Chung (Sun Ma Si-tsang) is forced by his father (Lee Hoi-chuen) to court the fake Lai-ying in order to save the family from financial distress. But Chung is in love with the real Lai-ying, who pretends to be a poor girl from a working class background. Naturally, the father is unhappy about this mismatch. Typically cast for feisty roles, Tam Lan-hing here plays a marriage-hungry woman, eager to be seduced who knows flirtatiousness can be so hilarious!

Hong Kong horror drama movie from 1956.

A Chinese musical fantasy.

Chinese Opera genre picture directed by Chun Kim.

Comedy directed by Fung Fung

Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.

Master Wong Fei-hung and disciple Ling Wan-kai take refuge at Golden Cock Township in Guangxi.They befriend the Mok sisters being forced to marry a local tyrant. Master Wong and Ling intervene to help the sisters to uproot the evil tyrant.