Julia Grégory

Haroun is an old bachelor who has lived in Oran for several years. A retired civil servant, he leads a reclusive life until the day he meets Kamel in a bar—a journalist to whom he tells an incredible story dating back to 1942. He claims to be the brother of ‘the Arab’ killed in a story told in one of the most famous novels of the 20th century, ‘The Stranger’ by Albert Camus. An Arab with an erased name: Moussa. Through anger, assertions, details, and confidences, Haroun finally convinces the journalist to listen to his story. His confession is a cry of freedom and distress—but above all, a cry of revolt: against an abusive mother, against a country that failed to achieve true independence, against a book, and against a famous French writer.

A couple have a peaceful existence in a small provincial town. He is a teacher and she runs an opticians practical. Their life is turned upside when Belle, a friend’s daughter who is lodging with them, is found dead in her room. The husband becomes the prime suspect as the only one at home at the time.

It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.

Mira, a 60 year-old woman, appears to have a normal life. One morning she starts her day like any other, wakes up early, puts her family's clothes out to dry, purchases food for her fish and commits a bank robbery with a kitchen knife. She discovers her need for money is surpassed only by her need for love.

When a rapper-turned-teacher brings hip-hop to a community center in an impoverished area of Casablanca, his tough methods spark an explosion of talent.

Accompanied by her lover, Suzanna, 40, views a Riviera beach house for her family's summer vacation. This day, this break in her routine, in this new house, will mark a turning point in her life. Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between her conventional destiny as a wife and mother, and her freedom, embodied by her young lover.

Ichiko works as a private nurse for a family she almost became a part of. While Ichiko cares for the grandmother, she is also a confidant to Motoko, the eldest sister. But one day, Motoko’s younger sister disappears. And the media soon reveal the kidnapper to be Ichiko’s own nephew.

Year 1763. Forced into exile, the famous libertine Giacomo Casanova leaves Paris and travels to London, where he meets Marianne de Charpillon, a young prostitute to whom he is so attracted that he forgets about the other women.

A playwright encounters a mysterious woman when he takes shelter in a chalet during a violent snowstorm and becomes obsessed with her.

Based on Don DeLillo's novella "The Body Artist," the film swirls around a self-centered filmmaker who, during a screening of one of his films, wanders into an adjoining gallery and becomes mesmerized by a young performance artist. Dumping his leading lady and long-time lover, Rey embarks on a wild and delirious affair with the equally willing Laura, who jumps on the back of his motorcycle and rides with him into instantaneous love.

In the middle of the night, Léo wakes up his best friend Raphaël. His car has broken down an hour away from Paris. No way is Raphaël going to pick him up, that is until the woman of his dreams kicks him out of bed. Once he gets to where Léo is waiting, he discovers there is no breakdown, but what is there waiting for Raphaël?

Toshio hires Yasaka to work in his workshop. But then this old acquaintance, who has just been released from prison, begins to meddle in Toshio's family life.

A timid young grad student madly in love with her scientist boss offers her body to his research.

Two young men seek the solitude of the country; their peace is disturbed when a set of random occurrences suggest to their susceptible minds a pattern with sinister meanings.

In the late 19th century, a chambermaid from Paris relocates to a remote household in Provence, engages in trysts and finds herself enraptured with a coach driver.

A twist of fate leaves a hapless accountant romantically torn between two sisters.

On the night of New Year's Eve, a small group penetrates into the room of an old hotel in ruins. Carmine, the oldest of the group, poses a challenge to one of the men, Furio: he has 4 months to restore the hotel and inaugurate it with great pomp. Aware of the difficulties but anxious to prove the point, Furio accepts encouraged by his wife Margo who believes that this assignment will allow the couple to rediscover the lost momentum.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Werner Schroeter directed this dark and surreal tale of a man determined to save a lost lover from a grim fate at the hands of a violent mob. The city of Santa Maria is falling into chaos as an armed military faction is poised to take power in a coup d'etat. Ossorio used to call Santa Maria home, and he has returned in its darkest hour to find the woman he loves, hoping to rescue her from the violence that is lurks around the corner. As Ossorio searches for his love, he meets Victoria in a shabby hotel, who in turn introduces him to her father Barcala, who for the right price is willing to take Ossorio and another passenger away on his boat. While Ossorio is willing to pay Barcala what he wants, can he find the mysterious woman before the ship sets sail?

Garance has just lost her Wawa. It’s going to be picked up, rolled around, transported, thrown away, carted off, dragged off, snatched up, shot, smashed, trampled, given away, pushed around, stolen, soiled, forgotten, chewed on, slapped, crushed, banged up, and found again. This is the story of the unfortunate trip of a stuffed dog through the streets of Paris.

Six stories, six films that follow on from each other; this is a glance at the childhood of renowned directors whose style has marked the history of film. A group of young directors focus their cameras on the story of these filmmakers, these childhood stories that sometimes shape an entire life and thus shed light on their cinematic works. The stories overlap to merge into one film about childhood, filled with emotional wounds, frustrations and encounters.

In 1943, Joseph, a Jewish man, was arrested by the Germans in front of his 13-year-old daughter, Suzanne, in the apartment where they were hiding. By abandoning his daughter, Joseph saved her life.

Jacques summons to lunch his two children, adults already. He is about to break up with their mother and the time has come for him to return, in a most honest possible way, on the stories of his past and present love life.

A documentary on the making of Tchao Pantin (1983), featuring interviews with writer-director Claude Berri, novelist Alain Page, stars Richard Anconina, Mahmoud Zemmouri, Agnès Soral, cinematographer Bruno Nuytten and others.

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

During the Cultural Revolution, two young men are sent to a remote mining village where they fall in love with the local tailor's beautiful granddaughter and discover a suitcase full of forbidden Western novels.

Laurent hasn't seen his father since the age of two. His father has just had an accident. He almost died. Laurent refuses to go see this father who always acted as if he didn't exist. Julie, his girlfriend, tries to convince him.