Hitoshi Endo

Shota, a machinist who dedicated his life to his work, prepares for his final business trip to Korea before retiring. Meanwhile, Daesung heads to Japan to win back his ex-girlfriend. The two men happen to meet at a ramen shop on the first day of their journeys. When Shota's resignation letter and Daesung's love letter are swapped, an unexpected story begins.

1960s Japan—economic boom, Olympic pride, and a crackdown on “public morals.” An anti-prostitution law targets women but spares male sex workers, the so-called “blue boys.” When police arrest the doctor performing their sex reassignment surgeries, the sensational “Blue Boy Trial” begins. Three transgender women take the stand, igniting a national debate on identity, medicine, and happiness—long before the language of LGBT existed. Though the court ruled surgery legal, the verdict cast a shadow: no such operations would occur in Japan for 29 years. Half a century later, this buried history still reverberates in the lives of sexual minorities.

Keiko Tsuruoka’s film is at once traditional and contemporary: it gently mixes present-day gender and sexuality politics with the old-fashioned Japanese domestic drama. Traditional lacquerwork kitchenware is the Aoki family’s legacy, handed down to patriarch Seishiro (Kaoru Kobayashi) by his now-ailing father (Masayuki Suzuki). Seishiro expects to pass it in turn to his son Yu (Ryota Bando), but Yu has no interest in the craft—quite unlike daughter Miyako (Mayu Hotta), who loves it dearly. The stage is set for conflict, as established cultural traditions collide with modern mores…

Osanai Kei enjoys a peaceful and happy life with his wife Osanai Kozue and daughter Osanai Ruri, but his wife and daughter die in an accident. Osanai Kei's life suddenly changes. One day, a man named Misumi Akihiko visits Osanai Kei. Misumi Akihiko tells him that on the day Osanai Kozue and Osanai Ruri died, Osanai Ruri, who was a complete stranger to him, was coming to see him. Misumi Akihiko tells him about a woman named Masaki Ruri, who he once loved. These people, who don't seem related, connect under the name of love.

Sato is an employee conducting a survey in front of Sendai Station. Saki takes the survey and the two ultimately become a couple. 10 years later, Sato proposes to Saki on the occasion of their 10th anniversary.

Mirai Takatsuki is a seemingly normal teenager, but when he was a child his life was saved from a terrible illness thanks to magnanimous donations from the local community that paid for his medical bills. Ongoing media attention and the pressure to excel have prompted Mirai to have suicidal tendencies.

With all the unrest and uncertainty in the world today, now feels as good a time as any for a movie portraying good will and love between people from opposing countries. The film is a love story set in the city of Matsuyama in Ehime Prefecture on the Japanese island of Shikoku against the historical backdrop of the Russo-Japanese War. The movie is centered around the romance between a Russian officer, a war prisoner in Matsuyama, and a Japanese nurse who find themselves on opposing sides of the war. It is a kind of "Romeo and Juliet story of the Russo-Japanese War".

Saike, Kazuki, and Takeo were abused by their respective parents and did not go to school. They stayed together at a youth detention center. To survive, these three young men commit robbery and burglary against criminal groups.

The Master's late-night diner welcomes a woman troubled by funeral fans, an elderly scam victim, and a noodle delivery man struggling with love.

The story is set in the early 21st century with the population decimated by bio terror. Two kinds of humans now exist. One is the Nokusu who were infected with a virus but survived and consequently they carry an antibody. Most are young, healthy and have high intelligence, but they have a high sensitivity to ultraviolet rays and are active mostly during the night. The other group are the Kyurio. They survived by never having the virus. The Nokusu discriminates against the Kyurio. Tetsuhiko Okudera is a Kyurio. He was born in a poor village. He isn't happy with being a Kyurio and wishes he could be a Nokusu. Yui Ikuta is Tetsuhiko’s childhood friend. She tries to revive the poor village.

Mizuki's husband Yusuke has been missing for three years. He suddenly comes back home as a ghost and asks Mizuki to go on a trip with him. Their trip consists of visiting the people that helped Yusuke on his previous travel.

A brother and sister learn their biological grandfather was a kamikaze pilot who died during World War II. During their research into his life, they get conflicting accounts from his former comrades about his character and how he joined his squadron.

'Roadside Fugitive' follows Mighty's non-successful story after '8,000 Miles 1,' at the end of which he parts company with Ikku and Tom, members of his hip hop group, 'Sho-Gung,' and leaves for Tokyo. Will Mighty be able to keep faith in the tiny little soul burning somewhere inside him?

A socially awkward salesman for a toy-capsule company tries to change his nerdy ways when a slick rival moves in on the beautiful co-worker he loves.

A rock band writes a song called "Fish Story" that is foretold to save the world. The song exceeds the boundaries of space and time and ties people and their stories together.

The touching and dramatic tale of the relationship between a Japanese family, their dog and her three puppies, set against the backdrop of a devastating earthquake and the ensuing chaos, rescues and heroism.

A university student finds himself wrapped up in the bizarre world of his next door neighbor, learning about his history and relationship with a girl who changed his life.