Fredrik Wenzel

Documentary about director and cinematographer Nina Hedenius, who focused on life in the Swedish countryside and created classics such as "The Old Man in the Cottage" (1996). Hedenius was one of the first students at Christer Strömholm's photography school but then dropped out, which was the start of 60 years of persevering film production about life in stillness, vibrant moments and the enchantment of everyday life. Later on she reluctantly let the filmmaker and photographer Fredrik Wenzel into her home, who draws a tender and close portrait of one of the great filmmakers of our time.

Life in hypermodernity seen from the cosmic perspective in a visionary masterpiece, where time and space transcend the human scale.

"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.

A film about iconic Swedish indie pop band Broder Daniel as they reunite during the summer 2008 before their last ever performance as a group. A concert held in honor of guitarist Anders who committed suicide earlier this year. It is a performance, and a portrait and a last goodbye from a band with more unconditional willpower than any other.

An eleven-year-old boy observes his neighborhood as its surface orderliness rots away.