Akira Ikeda

In a storm-scared village, 70-year-old Tae lives a quiet life until she rescues Haru, a mysterious mountain creature. As she feeds and nurtures him with her wanzi, she finds a renewed sense of purpose. However, when rumors of a monster spread, fear turns the villagers against them. Tae is forcibly hospitalized, and Haru is hunted as a harbinger of disaster. To protect him, she stages a fake funeral. When a new storm strikes, Tae must learn that love is not possession but letting go.

The soldiers no longer know why they are at war, and when it even started. Daily and dutifully they march to the river and shoot at the opposite village from 9 to 5 – orders are orders after all. They’ve done so for decades. When private Tsuyuki is transferred to the marching band, people keep asking him what use music is in times of war.

Short film in which a village is terrorized by a monster. The local police investigation seems to be getting nowhere. This idiosyncratic film examines social conventions, interaction and bureaucracy.

Konoko wakes up on the beach and goes looking for a barber to take out the bug stucking on her head. Doi, who will soon be a father, goes to make gloves for her wife as a gift, Kazuko wakes up at the theater, and goes home where she finds a blue monster. She goes to a shop to get rid of the monster.

Kogure is a paperclip bender in a paperclip factory. A man without characteristics. A stoical loser. One day he finds a butterfly in his flat. She becomes his wife, but is even stranger than the bizarre minimal world he lives in. Crazy and funny Japanese neofolk.