Mariano Llinás

A biography of Jorge Luis Borges working from an exhaustive review of the papers he left, the books he read, the places he went to. And with this, an attempt to decipher a very peculiar life: someone who lived like a hidden, underground warrior, whose cause was literature, literature conceived as a kingdom and as a landscape. If Cold War spies fought from their desks or from an uninhabited house to defend their half of the world, Borges strove from a library to elevate and broaden the territories of his own tribe: the people for whom the most important part of the universe is books, plots and words. This film is devoted to that secret pilgrim (to borrow from Le Carré, the king of all spies).

The second installment of the adventures of the Corsini Commando takes us this time to the Pampas plain, where Corsini grew up and forged a vision of the world that would accompany him throughout his life. The result of this excursion is an erratic wandering through the landscapes of the Homeland, its paradoxes and its ghosts: A land dreamed of by a newly arrived foreigner who imagined for himself a gaucho destiny that would never become completely real. Now then: is that not, in the end, the destiny of all things?

A filmmaker fails to portray an artist couple. Between music, painting and cinema, he achieves, however, an exceptional comedy of colours. Work inspired by the book "Kunst der Farbe" by Johannes Itten.

Situation 1: Mondongo, a duo of Argentinian artists, create a work inspired by The Art of colors, a treatise by Johannes Itten. Situation 2: A filmmaker begins a portrait of them.

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)

Mariano Llinás makes, at the request of the Viejo Hotel Ostende, a portrait of the Hotel's future over its 110 years of history

Is this film about Clorindo Testa or not? Is it about the life of the director, about the life of his father, about the life of his country, or is it just one of those biographical films that proliferate at film festivals in which the narrator spends his time recounting family anecdotes and pulling old photos out of a box? This small, microscopic adventure, whose subtitle, stolen from the Savoyard Xavier de Maistre, could well be Voyage autour de mon père, navigates between these threats and others even worse.

On 9 July – Argentina’s Independence Day – Llinás sets off in Buenos Aires with his regular cameraman Agustín Mendilaharzu to re-record ‘Corsini interpreta a Blomberg y Maciel’, an album made in 1929 by lyricist Hector Pedro Blomberg and composer Enrique Maciel, as an ode to Juan Manuel de Rosas, leader of the Argentine Confederation.

This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.

This study on Quino's style, carried out by Mariano Llinás and Ignacio Masllorens in 2005 as part of their documentary “El Humor (Small Illustrated Encyclopedia)” is a delicate and lucid look at the work of someone who was much more than the inventor of the endearing Mafalda.

During the quarantine in 2020, the two friends Mariano Llinás and Matías Piñeiro sent each other video letters – 8 in total, 4 each of them – to create a compilation of ideas, thoughts and exchanges commissioned by Sergi Álvarez Riosalido for La Casa Encendida (Madrid). Llinás is in Argentina and Piñeiro is in New York, and they begin to order each other portraits of places, reflections on artists, ideas on cinema.

A "cinematic object" by Mariano Llinás, divided into 9 chapters, based on the poetry of Henri Michaux.

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

A fugitive, a fetishist and a detective walk through a mansion built in the 19th century on the banks of the River Plate. Within its walls, there are resonances, portraits of illustrious or unknown people, books, souvenirs, furniture from different periods and styles. At the heart of this secret order is a woman who has been portrayed throughout her life by painters of the Belle Epoque, by neoclassical sculptors, by avant-garde photographers. To reconstruct the history of these women, each of the visitors will create a fable, in which the essential names of the 20th-century culture are intertwined. Among the visitor to Victoria Ocampo's mansion we can mention the architect Le Corbusier, the composer Igor Stravinsky, the writers Graham Greene, Aldous Huxley, Waldo Frank, Albert Camus... You will also hear the whisper of two young writers cementing what will be a bond that will last for decades: Adolfo Bioy Casares and Jorge Luis Borges...

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

El Pampero records Chantal Akerman's visit to Argentina in 2005.

The election of the National Queen in General Roca (Argentina)

An album of odd and humorous stories on small places exclusively dedicated to idleness, which are empty in winter and crowded in summer: the spa towns. Cities under water, luxury hotels, mermaids, sea animals, sand castles, people who worship water, praying for health.

The story of some neighborhood boys, narrated with an undoubted Borgian spirit. (ucine.edu.ar)