Ken Yoshizawa

An elite real estate agent who lost the ability to lie due to a curse must navigate the cutthroat industry using only the honest truth.

Yuji and Yuriko's peaceful life shatters when an old diary belonging to Yuji's great-uncle Sadaichi, who died in the war, is discovered. The pages are full of an obsession with life... and one strange phrase: "I want to devour the bird—Hikuidori." From that day on, eerie phenomena start to haunt those connected to the diary. As the nightmare deepens, a strong will to live—once buried with Sadaichi—begins to twist the past and bleed into reality.

A road movie about Yoko, a frustrated part-time worker who hitchhikes to her hometown of Hirosaki, Aomori, where she has not returned for 24 years, after hearing the news of her father's death.

Masaya is a university student, but he attends a school that's not his ideal school. His days are generally gloomy. One day, he receives a letter from serial killer Haimura. He was convicted for nine murders and received the death penalty. Back when Haimura was committing his murders, he ran a bakery store. At that time, Masaya was a middle-school student and a customer at his bakery store. According to the letter, Haimura confesses to having committed eight murders, but he insists that he did not commit the last murder. Masaya begins to investigate the last murder case involving Haimura.

A lonely researcher doubting his own existence builds an android which looks exactly like himself.

A frustrated young woman returns from Tokyo to her hometown in Toyama where she meets an old woman who lives alone. There she slowly finds purpose in life by taking "photographs" that spin memories instead of ghosts.

A young man wanders and makes calls to elders who live alone. Saying “Granny, it’s me,” he lies to them that he is their grandson. An old lady, who runs a music shop in the declining shopping area in Amakusa, answers his call and warmly accepts him. Pretending as her grandson, he settles down in the town. He gets used to his friendship with young villagers, the sound and landscape of Amakusa, and the old lady’s everyday life.

After a man gets fired from his work at a printing plant, he moves with his couple to her hometown in Ishinomaki, Miyagi Prefecture. There, the woman opens up a beauty salon. They enjoy peaceful days, but small problems occur which leads to an irrevocable situation.

Thirty years after aboy's disappearance, a journalist revives interest in the case, which in turn compels the victim's brother to look for this woman's daughter in the snowy hinterlands of northern Japan. This sets off a series of events that causes the brother and the woman's daughter to glimpse the truth that has been concealed by their vague and painful memories.

In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.

A suburban town is faced with a series of bizarre incidents in which children disappear and three days later an adult in their life dies. A mysterious "child whisperer" phantom appears before journalist Shunya, who is investigating the incidents, and his girlfriend Naomi.

A story of three escort girls living in Ikebukuro, Tokyo. They work at the same escort service while feeling lonely in their urban lives.

“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.

A novelist receives a letter from a female university student named Kubo about strange sounds that emanate from a room in her apartment. They begin to investigate incidents involving former residents, and eventually discover the shocking truths lurking inside the building.

Ryuzo and his 7 former henchmen are all retired yakuza, but they now live as regular old men. One day, Ryuzo becomes the victim of a phishing fraud. He calls his 7 men together to reform their society.

Shinko (Karin Aiba) is a high school student from Hamamatsu. Due to university admission pressures, she struggles with her mother. She hasn't really made conversation with her mom in a year. Shinko's friend Misato (Mayuu Kusakari) then recommends to her to join the school's calligraphy club. Shinko is impressed by Teacher Yatsushiro's (Kazuki Namioka) words. Teacher Yatsushiro is the one who takes care of the calligraphy club. Shinko decides to join the calligraphy club.

The story of a village woman given the grueling task of looking after (and fulfilling the sexual needs of) her quadruple amputee husband, a Japanese soldier in the Second Sino-Japanese War who has been decreed a "War God" by the Emperor.

Shun Kosaka has a dream of becoming a novelist and lives in a byte at convenience stores at night. He happened to meet Natsuki, and his life began to change. However, they get involved in an incident related to the local mafia.

A business man visits his hometown to search for a missing employee

Kenji Takeda is back after five years in prison. In the meantime, the yakuza society has disappeared and has been transformed into a world of betrayal!

In the sparsely populated rural areas of Japan, the female population is far smaller than the male. An attempt is made to counter this imbalance by arranging marriages with Filipino women. Fey, a young Filipina, came as a mail-order bride. Although she tries hard, she cannot get on with her husband, either verbally or emotionally. After a year, she flees her snow-country husband with only the clothes on her back and sets out in search of work in Toyko. She wanders through Toyko asking for help in churches and at the Philippine Embassy. She needs to find work to earn enough money for a flight home. She finally finds a job and a place to stay with a Chinese man who is sympathetic to her situation. He introduces her to two of his Japanese neighbors who, when they hear Fey's life story, immediately decide to help her find her Japanese father whom she has never met.

Jiro's only target is a mysterious assassin. Faced with an enemy whose true identity is unknown, Yuki decides to become a decoy herself. The assassin relentlessly pursues Yuki, and Jiro also pursues the assassin. Killing after killing, they end up at the destination, where an unexpected person is waiting for them.

A middle-aged man discovers an injured refugee woman trembling in the corner of his bar in Kabukicho. He quickly becomes aware that her life is in his hands when he learns she is hiding from the yakuza.

Shinji, who has been writing a screenplay that is not going to be made into a movie, has a girlfriend who is a model. One day Shinji receives a call from the husband of his old lover Yoko, and goes to see her. When he meets Yoko again after five years, he cannot resist embracing her. A sensual film of love and jealousy, directed by and starring Kazuhiro Sano.

Sho is a loner who works at a small factory. He has no friends, hardly associates with his work-mates and is regarded as a weirdo because of his love for gun models. One day he buys a real gun from a local yakuza. This boosts his self-confidence and he overcomes his insecurities and presents a bouquet of flowers to Eiko, who lives in a classy apartment and with whom he had fallen in love.

A detective breaks all rules of ethical conduct while investigating a colleague’s involvement in drug pushing and Yakuza activities.

A nurse starts to investigate why a woman who came to her office committed suicide. She discovers that a Yakuza gang is using an unusual drug to sexually enslave women. But she gets caught and when she is injected with the drug rather gruesome side effects appear, much to the surprise of the gang.

A young woman who came to Tokyo from a remote village is tricked by the Yakuza and goes through a series of jobs, from hostess to soapland girl to hot spring geisha to stripper, and finally makes a living as a stripper, but gradually loses popularity to a young dancer. For the performance of her life, she visits a gynecologist...

Pink film by Kazuo 'Gaira' Komizu.

Set in a barren, futuristic Tokyo of highways and wastelands, a rowdy group of punk bands and their fans gather to protest slow, boring, Japanese living.

Pinku from 1972.

Set in a Shinjuku bathhouse brothel, the film uncovers the sexual eccentricities of everyday people. Focusing on three female prostitutes, the colorful, unpredictable look into the hidden underbelly of Japanese nightlife is playful but also unafraid to explore the darker sides of the business. The fleeting nature of relationships in such an environment and the consequences of toying with feelings are presented with a melancholy tinge.

Shimako Yano once caused an accident in the car she was driving and left her husband, Kazuhiko, who was a passenger in the car, impotent, and she lives a life of frustration every day.

A militant revolutionary group is torn apart by betrayal as its members descend into paranoia and sexual decadence.

Beginning in the 1960s, a story is told of the sex and romances of eight young people wandering into adult life.

On the eve of her wedding and while cheating with another man, a woman gets involved into a dangerous new world of experiences.

After 15-year-old Yasuko has her first orgasm with a teacher, she and her disillusioned group of friends decide to turn to prostitution to gain a better understanding of what emotions truly are.

A woman who has just missed her suicide and a couple which has just left its political movement meet on a beach...

From an apartment belonging to a single woman, two detectives spy on sex-obsessed radical.

Nobuko Otowa plays a former Seto Inland Sea island farmer who has moved to the mainland in order to find work, but instead ends up dead. The film begins with the discovery of her corpse, which leads to an investigation that uncovers the narcotics, prostitution, and murder in which many poor farmers had found themselves trapped after World War II.

A girl becomes a pawn in the game between two rival gangs gangster.

During clashes between demonstrators and police that rage on the streets of Tokyo, a young man hides in the house of his brother - a police officer. The latter is accidentally shot by his wife, which forces the young man to flee with her.

A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.

A brother and sister live as outcasts from their hamlet due to a belief that mental illness runs in their family. A group of villagers plot to steal their property by beating and hanging the brother and gang-raping the sister. Believing the brother to be dead, scheming to kill the sister, and making both deaths look like accidents... unbeknownst to them, the brother survives and proceeds on a mission to slaughter those responsible in the hamlet.

Based on the Chinese classic "Jin Ping Mei". Original Japanese cut directed by Koji Wakamatsu and produced by Shochiku. Set in Song-dynasty China, Wu Song rises to fame and becomes a guard captain. He is captivated by his brother’s wife, Pan Jinlian, whose beauty also ensnares the wealthy libertine Ximen Qing. To possess her, Ximen Qing has Wu Song’s brother murdered. When the corrupt authorities refuse justice, Wu Song is imprisoned, escapes with the help of the Liangshan bandits, and joins their ranks. Ximen Qing descends further into decadence, but Wu Song eventually returns, leading an attack on the town.

Shirō raids the office of the organization that attacked his lover, wreaking havoc and escaping with a stolen handgun. In retaliation, the organization hires two killers to get rid of Shirō. The duo begin to develop a strange kinship with their target...

Pinku from 1968

A wife with a fertility problem wants to use her sister's womb to have children, but her sister is enjoying her boyfriend and sexual freedom. The husband is a commanding chauvinist and this soon turns out to be an investigation into authority, patriarchy and conservatism vs. free love and youth culture.

Young slacker couple accidentially kills a friend. They burn his body and hang out on a beach.

A hitman focuses on his job hoping to retire quickly and richly. But the betrayal of his clan and those he loves endangers his plan.