Tómas Örn Tómasson

An archaeologist, her ex-husband who is a Norse language expert, search for legendary treasure in Iceland during Christmas. Others join the hunt, leading to a thrilling race to secure the treasure before the wrong people obtain it.

Anya follows her father's footsteps in sled dog racing. In Finland, she enters his last race but her lead dog is injured. Teaming with Cole's dog, she battles her father's rival Monty while learning to trust her new canine partner to win.

A soldier, which army, which era, unclear. What’s clear is the evil he’s done. Faced with his impending mortality, he fears being judged in the afterlife. Only immortality will do. He meets a talking rock who promises just that - but he’ll first have to face his fiendish deeds...

Saga gets hit by a fierce epileptic attack walking in a public park with her six-year-old son resulting in a total memory loss. Afraid of being considered unable to take care of her son, Saga attempts to hide her state from others and occupies herself digging for the answers she needs from within. As she struggles to gather bits and pieces from her forgotten life, repressed memories that Saga unconsciously blocked as a child suddenly start to come back, revealing a painful truth about herself and her past.

Searching for a fresh podcast idea for work, Chloe heads on a spontaneous trip to Iceland with her college friends. She doesn’t expect to run into her ex, Charlie, but what starts as begrudgingly spending more time together, results in new beginnings for them both.

Salma and Tamer have been married for 5 years in the Palestinian territories. The first time Tamer is given permission to cross the Israeli checkpoint is to file for divorce. In court, they make a shocking discovery about Tamer's father's past.

A man stranded in the Arctic is finally about to receive his long awaited rescue. However, after a tragic accident, his opportunity is lost and he must then decide whether to remain in the relative safety of his camp or embark on a deadly trek through the unknown for potential salvation.

Mihkel boards a ferry from his small town in Estonia to Saint Petersburg in Russia, on his way to Iceland, where he wants to make a new life for himself and his fiancée, Vera. His friend Igor, who emigrated to Iceland a few years earlier, convinces Mihkel to smuggle two bottles of liquid amphetamine and then seek payment from an 
Estonian priest, who is a business partner of Igor’s in Saint Petersburg. The priest is then to set him up in his new home and bring Vera over to join him. Rather than getting paid, he is instead coerced into swallowing seventy drug capsules to take on to Iceland. He arrives in Iceland and is picked up by Igor and his two Icelandic accomplices, Jóhann and Bóbó. However, in the next two days it becomes clear that something is wrong and Mihkel cannot pass the drugs. The Icelandic criminals become very nervous, and more and more frantic activity ensues as the situation becomes more serious.

When the Icelandic banks collapsed in the autum of 2008, taking most of the economy down with them, Ari Alexander took his camera and started to film what was happening in this tiny but relatively stable and affluent society. He filmed the ever-larger protests that in the end led to the downfall of the government. He took interviews with people shocked and confused by what was going on around them. He went to conferences and seminars where scholars tired to work out what had happened and what should happen next. He followed the endless debates and negotiations around the Icesave-accounts set up by Icelandic banks abroad. Every day brought fresh news of the complicated and often illegal deals made by financiers and bankers in the years leading up to the collapse.

Icelandic artist and musician Ragnar Kjartansson’s often intensely durational performance-based works manifest a rare synthesis of pathos and humor. A Lot of Sorrow is both a music video and an extended concert film, in which Brooklyn-based band the National performs its three-and-a-half minute ballad “Sorrow” on repeat for six hours. The band’s music and lyrics frequently conjure notions of romantic suffering and melancholy—themes common to Kjartansson’s emotive, theatrical work. As the hours pass and fatigue sets in, the musicians subtly alter their song; the original track is always recognizable but is also shown to be elastic and expressive rather than rigid. Kjartansson is sometimes visible in the role of roadie, offering water and food to the performers throughout the concert. Multiple camera angles grant the viewer access to both the perspective of the musicians and that of the audience, as the band and the crowd feed off each other’s energy with every repetition.

A celebration of creativity, community, and friendship, The Visitors (2012) documents a 64-minute durational performance Kjartansson staged with some of his closest friends at the romantically dilapidated Rokeby Farm in upstate New York. Each of the nine channels shows a musician or group of musicians, including some of Iceland’s most renowned as well as members of the family that owns Rokeby Farm, performing in a separate space in the storied house and grounds; each wears headphones to hear the others. As the music begins and repeats, individual players stop, start, and move between rooms. Viewed together, the individual videos present an ensemble performance Kjartansson calls a “feminine nihilistic gospel song.” The piece itself sets lyrics from a poem by artist Ásdís Sif Gunnarsdóttir, Ragnar´s ex-wife, to a musical arrangement by the artist and Icelandic musician Davíð Þór Jónsson; the title comes from a 1981 album from Swedish pop band ABBA, meant to be its last.

A Thai mail-order bride comes to Iceland in search for a better life. When her new partner locks her in the house and takes her clothes from her she realises something is terribly wrong. Locked in the flat she finds things belonging to an earlier Thai bride and with her help, she manages to turn the tables on her captor.

The time is 20 years and a few months to the millennium, and the unrecognized, self-proclaimed genius Orm Odins has to deal with the age-old existentialist dilemma that is teenage hood. With his final exams looming, his hormones in overdrive and love just around the corner what can a great poet do to survive? Our setting is Reykjavik in the eighties, a city that is going through a growth spur not unlike our eloquent hero. The mullet is just about to put its mark on a unsuspecting generation, there is no TV on Thursdays, only one radio station, beer is still and outlawed commodity and somewhere within the city limits the first female president in the world will see has a dream.

Laddi leikur Jóhannes, myndlistarkennara sem upplifir dag sem ætlar engan endi að taka. Þessi ólukkudagur hefst á því að Jóhannes, af sannri riddaramennsku, stoppar fyrir ungri stúlku (Unnur Birna) í rigningu á Reykjanesbrautinni. Á vegi Jóhannesar verða ýmsir skrautlegir karakterar, bandbrjálaður öfundsjúkur kærasti, metnaðarfullur skólastjóri, óalandi unglingur og kostulegt lögregluþjónatvíeyki.

The short film Reyndu aftur (Try Again) follows a young man whose suicide attempt is interrupted by an ex-girlfriend. By mistake, he tells a spontaneous lie that has unpredictable consequences, forcing him to deal with various problems of everyday life and face up to the fact that everybody is burdened with issues of their own. Should he give life a second chance or the just give in to the rope?

Stephanie and the LazyTown children decide to repay Sportacus for all of his heroics by giving him a day off - with Stephanie taking over as hero. Robbie Rotten decides to take advantage, and builds a nasty dog which runs amok in the town.