Amélie Nothomb

The world is a perplexing, peaceful mystery to Amélie until a miraculous encounter with chocolate ignites her wild sense of curiosity. As she develops a deep attachment to her family's housekeeper, Nishio-san, Amélie discovers the wonders of nature as well as the emotional truths hidden beneath the surface of her family's idyllic life as foreigners in post-war Japan.

Jung-in is the professor of western psychology decides to take a break of his teaching and moves to his new house in country side with his wife. They went to say hello to their neighbor and when there was nobody at home, they left a note. Next day the neighbor comes to visit at 4pm. When he left the couple didn't think it was a simple response to the note they left. But the doctor, neighbor comes everyday and ruins the couples peaceful times. As time passes, the couple. the couple feels pressure and drives them insane.

Famed architect Jeremy Angust is approached on his trip to the Paris Airport by a chatty girl named Texel Textor who needs a ride. He obliges and after they part ways at the airport entrance, he misses his flight. As he settles in the lounge, he encounters the mysterious young Texel again, who insists on telling her strange story — and the conversation grows stranger and more twisted until it turns sinister and deadly.

A Japanophile young Belgian woman in Tokyo falls into a whirlwind romance with a Francophile Japanese student, in this charming and tender tale of young love and cultural discovery.

A staging of the play "Hygiène de l'assassin" based on the novel written by Amélie Nothomb.

Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.

Part police thriller and part exploration of the dark side of men's attitudes about women, Hygiene de l'assassin concerns a young female journalist, Nina (Barbara Schulz). Nina has scored a plumb assignment, an interview with Tach (Jean Yanne), a well-known but reculsive novelist who rarely speaks to the press. After he passes along his less-than-charitable views about women (including the belief they should be killed in childhood, before they start to menstruate), Nina concludes the interview, but soon finds herself interrogated by police when Tach is found dead and she is the key suspect.