Known for Costume & Make-Up
Filmography
23 films, 1 show


LAST LOOKS
2024 · 14m
country: United States
Screen Actor Andrew Blake has agreed to be killed on screen in his character's last scene. The line between Andrew’s performance and his character Brian’s pleas for mercy bleed into one another as "action" is called for the final time.


Ford v Ferrari
2019 · 2h 33m
country: United States
American car designer Carroll Shelby and the British-born driver Ken Miles work together to battle corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.


Handsome: A Netflix Mystery Movie
2017 · 1h 21m
country: United States
LA homicide detective Gene Handsome's knack for solving mysteries is matched only by his inability to make sense of his own problems.
Butterfly Dust
Butterfly Dust
2014 · 16m
country: United States
After their human test subjects turn into animalistic horrors, a small group of scientists barricade themselves in their laboratory, but they must balance moral conflict with survival as their botched creations attack.


The Devil Inside
2012 · 1h 23m
country: United States
In Italy, a woman becomes involved in a series of unauthorized exorcisms during her mission to discover what happened to her mother, who allegedly murdered three people during her own exorcism.


Day Is Done
2006 · 2h 49m
country: United States
Day Is Done is a carnivalesque opus, a genre-smashing epic in which vampires, dancing goths, hillbillies, mimes and demons come together in a kind of subversive musical theater/variety revue. Running over two-and-a-half hours, this riotous theatrical spectacle unfolds as a series of episodes that form a loose, fractured narrative. The video comprises parts 2 through 32 of Kelley's multi-faceted project Extracurricular Activity Projective Reconstructions, in which trauma, abuse and repressed memory are refracted through personal and mass-cultural experience. The source material is a series of high school yearbook photographs of "extracurricular activities," specifically those that represent what Kelley has termed "socially accepted rituals of deviance." Kelley then stages video narratives around these found images.