Claude Beausoleil

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

It starts with the discovery of a woman's corpse, then gradually reveals the past of this woman as well as the police investigation which follows the discovery.

Commercial director Serge Faberge is having an affair with Evelyne, the 18 year old fiancee of friend Hugh. His own pregnant wife Francoise usually does not mind his dalliances, until he actually walks out on her and their newborn baby to move in with Evelyne. The shoe is on the other foot when dashing stuntman Dado catches Evelyne's eye in Venice.

Handed over to foster care by his mother—who's unwilling to give up permanent custody—the now-adolescent François understands that nothing in life is permanent, and his increasingly erratic actions reflect this knowledge.

A secret agent uncovers four atomic rockets with a lethal gas warhead which have been stolen from a secret factory, and a dastardly plot.

Though married to the good-natured, beautiful Thérèse, young husband and father François finds himself falling unquestioningly into an affair with an attractive postal worker. One of Agnès Varda's most provocative films, 'Le bonheur' examines, with a deceptively cheery palette and the spirited strains of Mozart, the ideas of fidelity and happiness in a modern, self-centered world.

He's twenty-five. She's thirty-five. He is a young agricultural engineer. She runs a nightclub in Cahors. He's a runner and a pretty boy. She's beautiful and unscrupulous. They like each other. People gossip about them. He persists. She leaves, afraid to see such a beautiful love deteriorate. She returns. He wants to marry her. She tells him it's no longer possible. Out of spite, he throws stones into the bushes. And then, after all, he comes to his senses.

Alexander Calder created and performed one of the most important and beloved works, his miniature circus (1926-1931). More than twenty years later Jean Painleve made Le Grande Cirque Calder 1927, begun in 1953 and completed in 1955.