Bertrand Bonello

In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.

Twelve notes of the chromatic scale, twelve excerpts from Arnold Schoenberg’s iconic works: In excerpts from twelve of Arnold Schoenberg’s major works, the Orchestre de Paris, singers, and a pianist compete to faithfully capture the composer’s musical diversity in a production directed by Bertrand Bonello.

Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.

Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.

Haiti, 1962: A man is brought back from the dead only to be sent to the living hell of the sugarcane fields. In Paris, 55 years later, at the prestigious Légion d’honneur boarding school, a Haitian girl confesses an old family secret to a group of new friends - never imagining that this strange tale will convince a heartbroken classmate to do the unthinkable.

Some young folks, tired of the society they're living in, plan a bomb attack over Paris before taking shelter for a night in a shopping center.

An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.

In Madeleine Among the Dead, Bonello wanted to tell Hitchcock’s Vertigo from the perspective of Madeleine (played by Kim Novak), not Scottie (James Stewart). He only filmed a scene of this project as part of another film by Antoine Barraud, Le Dos Rouge, in which Bonello plays the role of a director by the same name; a director whose films are all either invented or his “ghost-movies.”

1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.

An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

Ingrid Caven offers a rich repertoire of songs in French, German and occasionally English; at times, she dispenses with words and simply plays with sounds.

The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.

A few girls in an apartment. Across the street men are building a mosque.

After a freak accident changes his perspective on life, a Parisian filmmaker meets a stranger who brings him to a commune that's populated by free-spirited women.

A woman wearing a pair of headphones listens to music. Using their eyes and ears, the audience shares this sensory experience through the mental pictures generated by the music.

Cindy, the doll is mine is a short film by French director Bertrand Bonello. It stars Italian actress Asia Argento in the double role of photographer Cindy Sherman, a brunette, and her model, a blonde who strangely resemble one another. The film was screened out of competition at the 2005 Cannes Film Festival.

Based on the legend of Tiresias, it tells of a transgender woman who is kidnapped by a man and left to die in the woods. She is then saved by a family and receives the gift of telling the future.

A former porn director, who once elevated the genre with 1960s counter-culture ideals, returns to filmmaking after 20 years, clashing with his producer's hard-core vision. Estranged from his son over the family business, they begin reconnecting as the son embraces political activism, while the director seeks personal renewal.

After 5 years, a young Montreal couple's marriage begins to collapse.

James visits his young brother David who has just opened a hairdressing salon. the two brothers do not agree on how to become a successful hairdesser.

In 1966, suffering from a serious ulcer, Pier Paolo Pasolini looked back on his life and work. He wrote a long autobiographical poem in prose, which he reworked several times and eventually abandoned. Thirty years after Pasolini's death, Bertrand Bonello decided to make a film about it, in homage to this overexcited artist and key figure of the 20th century.

A woman leaves Paris, rock music and fame to drive a school bus in Montreal. Back in Paris, her lover questions the people who knew her to try to understand.