Josh Forbes

With his witty wordplay and wacky props, Leo Gallagher became one of the biggest comedy acts of the 1980s. The comedian’s most famous bit: smashing a watermelon with a giant mallet to the messy delight of audiences. His signature act was a gift and a curse, shooting him to superstardom while breeding both dismissive detractors and imitators, including his own brother. As tastes change, the aging Gallagher seeks the respect he deserves as an innovator in the art of stand-up comedy.

William Brown, a neurotic, self-absorbed musician determined to finish his prog-rock magnum opus, faces a creative roadblock in the form of a noisy and grotesque neighbor named Vlad. Finally working up the nerve to demand that Vlad keep it down, William inadvertently decapitates him. But, while attempting to cover up one murder, William’s accidental reign of terror causes victims to pile up and become undead corpses who torment and create more bloody detours on his road to prog-rock Valhalla.

Picking up directly where the previous film left off, the story follows Riley, one of the last people to come in contact with Samantha, as he scrambles to track down those responsible for the outbreak before the highly contagious disease not only consumes his body, but the world as we know it.