Ryusuke Hamaguchi

Marie-Lou Fontaine, director of a nursing home in the Paris suburbs, defies convention by adopting the 'Humanitude' method despite her team’s resistance. Her encounter with Mari Morisaki, a terminally ill Japanese playwright, transforms her life. Together, they turn the facility into a symbol of resistance and humanity against the system’s limits.

Takumi and his daughter Hana live in Mizubiki Village, close to Tokyo. One day, the village inhabitants become aware of a plan to build a camping site near Takumi's house offering city residents a comfortable "escape" to nature.

We follow Takumi and his daughter who lead a modest life in the village in the middle of nature. One day Takumi receives word that there are plans to build a glamping site near his home. The discovery that wastewater will be piped into the village’s water source not only causes unrest among the residents, but also affects Takumi’s life.

A close-up of water, trees reflected on its surface. Insects chirp, a bird squawks in the distance. Occasional raindrops dissolve into circular ripples that expand and vanish. An image of tranquility. Could it be Walden Pond, Massachusetts, where Henry David Thoreau escaped from society in 1845, living alone in a cabin he built himself? “I wanted to live deep and suck out all the marrow of life,” he wrote in the book Walden. Leading by example, he entreated the reader, “Let your life be a counter-friction to stop the machine.”

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.

Yuzo and Mitsuki live together in Yuzo's small apartment, their constant companionship tender and indifferent in turn. Then Yuzo receives a call from Satsuki, a documentarian resolved to make a film about a now-distant family tragedy, and the three meet, to search for some way to account for their relationship with one another, the memories they share, and those they've kept to themselves.

Four women in their thirties reevaluate their relationships, both shared and private, after a startling revelation concerning one's marriage forces each of them to ask one of life's biggest questions: "Am I who I want to be?"

A documentary on Japanese choreographer Osamu Jareo

After his parents die, a teenager goes to live with his older brother. As his loneliness grows, he becomes engrossed in practicing modern dance with his classmate.

The third part of a trilogy focusing on the Tohoku region that is comprised of dialogues with victims of the Great East Japan Earthquake. Ideas on how to share experiences of the disaster with future generations, a challenge touched upon in the previous films The Sound of Waves and Voices from the Waves, is found in folk tales from the region. Co-directed by Sakai Ko and Hamaguchi Ryusuke.

A companion piece to Voices from the Waves Kesennuma that forms half of the second installment in a documentary trilogy on the Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. It captures dialogues between closely-linked people in accordance with the directors' objective of passing on experiences of the Great East Japan Earthquake, which is inspired by the folk tale tradition of the Tohoku region.

A companion piece to Voices from the Waves Shinchimachi that forms half of the second installment in a documentary trilogy on the Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. Through numerous interviews, they concentrate on the experiences and emotions of people, not as victims but as individuals.

Hamaguchi wrote and directed this film as a graduation project for the students at ENBU Seminar (film and theater school in Tokyo) when he taught there. It is a three-part film: The first part is a documentary-style production of a play; Then the actual full stage production of the play; and the epilogue. Poetry and written words play the central role in the movie.

The first part of a trilogy focusing on the northeast Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. Impromptu interviews were carried out with disaster victims mainly along the Sanriku Coast, which had been ravaged by tsunamis several times prior to the Great East Japan Earthquake of 2011, and makes emotional discoveries within dialogues between close-knit people including families and workmates.

After a failed wedding shoot, Bae-hwan meets Ryu—a callboy tangled in a murder case—and offers him a way out.

While the wedding day should be blissful for the bride, Eiko, there is a secret that she can’t tell her fiance...

A young couple's announcement of their engagement to their friends is followed by a series of interactions and conflicts that forces everyone to reflect on their lives.

Shot while the director was still in college, the film is a remake of the Russian film of the same name. The man's dead ex who had committed suicide appears in front of him. The ghost has a cross-like scar on her wrist.

A short film by Ryusuke Hamaguchi when he was at Tokyo University of the Arts.

A short film by Ryusuke Hamaguchi, about a story between a man and a strange girl.

When returning from a wedding, friends talk about their fears.

On a country road, a young girl meets her classmates.

Some youths interact at a bar, a horse race and a bowling alley. A girl who has been visiting from out of town ,on her train ride back, reads aloud a list of vocabulary definitions from a dictionary.

A maiden work by Ryusuke Hamaguchi, and the origin to his later masterpieces “Passion” (2008), the 255 minute long “Intimacies” (2012), and the 317 minute long “Happy Hour” (2015). The unusual, usual life and the ever wandering souls of 5 young men and women, captured on 8mm film.