Marco Leão

A direct stare into masculine interaction as we follow three boys in their mid-twenties, António, Xavier and Miguel testing the limits of their sexual flexibility.

Explore hidden desires on a sleepover, fall in love with the handyman and be seduced by a stranger on the beach as you discover why Love Is the Drug. Boys On Film 17 includes nine complete films: Nicholas Colia's "Alex And The Handyman" starring Keaton Nigel Cooke, Aaron Profumo, and Hogan Gorman; Dawid Ullgren's "Mr. Sugar Daddy" starring Bengt C.W. Carlsson and Aleksandar Gajic; Brendon McDonall's "Spoilers" starring James Peake and Tom Mumford; André D. Chambers's "Tellin' Dad" starring Carl Loughlin, Ricky Tomlinson, and Michael Byron; Eyal Resh's "Boys" starring Wyatt Griswold and Pearce Joza; Martin Edralin's "Hole" starring Ken Harrower and Sebastian Deery; Lorelei Pepi's animated "Happy & Gay"; André Santos and Marco Leão's "Pedro" starring Filipe Abreu and Rita Durão; and Anthony Schatteman's "Kiss Me Softly" starring Ezra Fieremans, Marijke Pinoy, and Marc Van Eeghem.

Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.

While a teenage boy learns how to drive, a woman walks her elderly dog through the woods. As the evening settles she realizes that it's not too late to take action.

One must look into the tired eyes of those who hope one day to be able to communicate. Mother and daughter don't know how. Maybe the dog can help, but maybe he can't either.

Silence is absolute and time dilates as we lose ourselves in an unpredictable space among non-existent places.

Two young lovers, live in a tiny apartment, struggling everyday to find reasons to stay together. As they are incapable of living apart, they choose to live silently. Last winter they got lost in the mountains.

Time rushes by us. It rushes like the clouds in the sky that are swept and left drifting by the wind. As it passes we live and feel its passage. A brief reflection about time and life seen through two moments of our mother’s lives.