Cassandra Barbour

Known for Crew

Cassandra served as the Vice President of Legal Affairs Administration for Sony Pictures Studios (and its predecessors, TriStar Pictures and TriStar Television) for 14 years. Cassandra was a founding member of Clear, Inc., the entertainment industry’s foremost content acquisition organization, where she served as Co-Executive Director, and a member of the Board of Directors for Screenlife, LLC, creators of "Scene It?".

Filmography

20 films, 2 shows

Movie Associate ProducerRelease Date ↓All GenresAll ErasAny RatingAny Runtime

TMDB4.1

Scandalize My Name: Stories from the Blacklist

1998 · 54m

country: Unknown

A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.

Movie Associate ProducerRelease Date ↓All GenresAll ErasAny RatingAny Runtime

TMDB4.1

Scandalize My Name: Stories from the Blacklist

1998 · 54m

country: Unknown

A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.