Julieta Dolinsky

Nora (75), a forgotten superheroine, faces her daughter's decision to place her in a nursing home. Before losing her independence, she embarks on one final mission to regain lost recognition and prove that she can still choose her own destiny.

While their son sleeps, Jazmín and Marcelo pack their bags for their last vacation before separating. Gaspar’s upbringing, possibly within the autistic spectrum, has marked a distance between them. Amidst blame and reproaches, a moment of playfulness emerges, perhaps a bridge to reunite.

When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

Estela and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Estela's father has inherited from her.

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

A rock concert, the irruption of the police, four friends forced to flee quickly and forget their backpack there. Friendship and adolescence combined as one, the future less than a time to travel rather than a space (a city) to discover.

During the military dictatorship of Argentina in 1977, office clerk Francisco Sanctis, his wife and children lead a quiet life in Bueno Aires. But one day an old friend calls him after 20 years, asking him to sign something. When they meet, she explains that she actually wants him to warn two of her friends that are about to be kidnapped by the army, and Francisco must decide if he wants to risk everything for two strangers.

Late night. Ana is sleeping alone in a double bed. Her cellphone rings. Dazed, she turns on the bedside lamp to shake off her sleep. Reluctanly, she gets out of bed and, at 2 AM on one of those nights when you can see the vapor of your breath, she showers, gets dressed, puts on her makeup, walks to the avenue and takes a cab to the other side of town, so she can go deep into something more than the darkness of the night.

Santiago wakes up in the desert and goes to his father’s house who receives him at gunpoint. Ernesto decides to sacrifice Arón, the dog, but phantasmagoric apparitions shake the family’s foundations.

A philosophy professor begins to lose his mind when a new and expensive edition of Karl Marx's "Capital" awakens a guilty obsession in him.

Milagros is a cleaning lady in a TV studio. While working, the bloody 200 year Argentinian history occurs, bluring the line between fiction and reality.

Argentine history during the 20th century discovered by two teenagers, who investigate the lives of members of four different generations of the Lugones family.

It tells the story of four Jewish boys during a few summer days at the country club where their parents take them, on the outskirts of Buenos Aires, in 1993. Within the club, the four define themselves as outsiders, since they do not participate in the sports activities that are practiced there, and therefore do not fit into the logic that governs the place, being permanently bothered and mocked by the rest of the children of their age.