Eiji Watanabe

After an outburst at school involving her son, a concerned single mother demands answers, triggering a sequence of deepening suspicion and turmoil.

Tomiko, a middle-aged woman, waits patiently for her husband, who disappeared thirty years ago, to return. She lives alone in a declining fishing village, and continues to search tirelessly for her husband. One day she meets Nami, whose husband has also disappeared.

A psychological thriller set in the post-COVID Tokyo. The film follows a woman looking for her missing son, and a shady young man who approaches her, claiming to know her son.

Akira is widowed and left with a pre-teen stepson. Travelling with him to her late husband's hometown, she meets her odd father-in-law and yet decides to make a go of living and working there. She attends training and joins the railway company where her father-in-law works and her late man dreamt of ending up as a child.

A married woman obsesses over a hairstylist she becomes involved with.

A sequel to Everyday is Alzheimer`s where the director goes to Britain to know more about Alzheimer patients and how to live with them.

Jiro Sawada is a sophomore in high school when a false accusation drives him out his hometown: a small village in Fukushima Prefecture. The entire village is abandoned after the 2011 Tōhoku earthquake and tsunami, but Jiro returns there to live. Before long, members of his family come and join him.

Former delinquent Hiroe leads a dreary existence. She meets a boy named Tatsutoshi whose younger sister was killed in a road accident and tries to cheer him up by creating a fake ritual to bring the dead back to life. To turn her deception into reality, she takes Tatsutoshi on a journey to the seaside.

A movie documenting the daily life of director Yuka Sakaguchi after her mother is diagnosed with Alzheimer's and dementia.

Domestic drama focusing on a soon to be retired train driver and his wife.

Kageko, a teacher in a small mountain village with a thriving Japanese paper industry, is visited by a former student, who proposes a plan to manufacture counterfeit money. She initially refuses, but eventually decides to join the project for the sake of the poor children in the village and her own mentally handicapped child.

Kazuya Uemura is an American veterinarian who has just arrived at the Okinawa Churaumi Aquarium. Uemura was busy working as a keeper, even though he was a veterinarian, based on the director's policy of learning about dolphins while doing work as a zookeeper, such as feeding and cleaning the pool. At the end of his busy summer vacation and his work was over, something unusual happened to Fuji, the mother dolphin who gave birth to three children. Her tail was damaged from necrosis. Medicine couldn't help her condition, otherwise, Fuji would die. Uemura decided to amputate Fuji's tail fins. Fuji managed to survive the amputation but was unable to swim. The granddaughter of the director, Michiru, sees Fuji could no longer swim and says to Uemura, "A dolphin that can't swim is not a dolphin." Uemura stood up: "I want Fuji to swim again, I want Fuji to soar in the air." The world's first dolphin tail recovery project has begun.

Three storylines interweave in Border Line. Kurosawa (Murakami Jun) finds himself driving a taciturn young man named Matsuda (Sawaki Tetsu) halfway to Hokkaido, after accidentally knocking him off his bike; their fragile bond can last only so long. The housewife Aikawa Misa (Aso Yumi) tries desperately to hold her family together when her husband gets laid off and her son is so frightened of bullies at school that he throws up in the car; she’s reduced to taking a McJob in a convenience store. And Miyaji (Mitsuishi Ken), who collects debts for a yakuza gang, gets into trouble when his partner Kitajima puts personal need above duty.

Kenzo was behind bars for killing a gangster. Upon his release, he goes to live with his son, whose marriage is on the rocks. His 14-year-old granddaughter Tamako is ostracized when she discovers that her grandfather is a murderer. Kenzo soon helps defend Tamako from bullies at school. When Tamako stands up for herself, she comes to believe that she has inherited some of her grandfather’s great strength. Eventually, an associate of the man Kenzo killed comes looking for revenge, along with the dead man’s son.

Naoya and Katsuhiro are boyfriends, new in their relationship. Things are uneven at first—Naoya is open and free while Katsuhiro is cautious and closeted—but nothing compares to the chaos that arrives when Asako, a troubled woman with a history of psychiatric problems, abortions, and casual sex, asks Katsuhiro to conceive a child with her.