Brian Simmons

An autocratic Director (Harold Pinter) and his Assistant (Rebecca Pidgeon) put the final touches to the last scene of some kind of dramatic presentation, which consists entirely of a man (John Gielgud) standing still onstage.

In late-1970s suburban London, Chris and Marion have settled into a comfortable yet all-too-predictable middle-class existence. Chris receives an unexpected visit from his free-spirited friend Toni, a reunion that reminds him of a more carefree time in 1960s Paris. Now, with lingering doubts about his marriage bubbling up, Chris must make the choice between revisiting his youthful abandon with Toni or facing the here and now with Marion.

A middle-aged professor's young bride and his assistant plan to commit a double murder disguised as a "Crime Passionel", but discover too late that one of their intended victims has become a fellow conspirator.

Duke Turnbeau (David Soul) has come to England, in the 1930s, as a way to improve his fortunes. For some reason, he believes that his larcenous ways will bring him prosperity in the country which at one time or another has had rulership over a large portion of the globe. While there, he meets Rosie McCratchit (Pamela McMyler), a lovely Irish gal who could do with some improvement in her fortunes as well. Together, they have a series of legal, quasi-legal and definitely illegal adventures, including Duke's cow-roping and Rosie's response to the mud-wrestling challenge of the Amazon Lady, as well as an attempted armored-car robbery.

Adapted from the BBC2 serial The Six Wives of Henry VIII. 1547, King Henry VIII's life has taken a turn for the worse and he is forced to look back over his life and the many loves which had brought him his three children, only one of which was the desired male heir to secure the Tudor dynasty.

When the leading lady of a low-budget musical revue sprains her ankle, the assistant stage manager is forced to understudy and perform in her place.