Masato Yano

A grifter and her loose-cannon brother get their hands on a massive amount of money, but their ill-gotten gains puts a huge target on their back.

The president of the Kunpusha publishing giant suddenly dies, triggering an internal power struggle over his successor. Trinity magazine editor Hayami is forced to contend with the magazine's possible termination by senior manager Tomatsu. Hayami grapples with publishing world ruffians in a struggle for the magazine's very existence.

Agetarō, a third generation tonkatsu shop owner, one day makes a bentō delivery for the first time to a club where he experiences an uplifting feeling he's never had before. Furthermore, he is wholeheartedly set on winning the heart of Sonoko, with whom he fell in love at first sight, so he decides to be both a tonkatsu shop owner and DJ.

Gajirou Honda is a self-centered man who only cares about money and women. When he’s involved in a car accident, he encounters the ghosts of the deceased occupants of the other car, including the driver and three pole dancers. The four ghosts promise him a large sum of money in exchange for his help fulfilling their last wishes, thus allowing their spirits to pass over to the afterlife.

Best-selling novelist Kosaku Igami has made a career out of using his family as fodder for his novels, much to their dismay. When his mother, the spirited family matriarch, is diagnosed with dementia, Igami must come to terms with the toll his own behavior has taken on his increasingly distant family and resolve his own long-simmering resentments. Evocative of classic Ozu, this gorgeously wrought epic family portrait explores the tenderness and trappings of familial bonds.

Betrayed and disgraced, big-city reporter Kazuya Mizuno is banished to a desk at Kaname's boring little town newspaper. But Kaname isn't as boring as it seems on the surface. Not with characters around like Shimeko, a girl genius with a childlike lack of propriety, and her ace fisherman/folk-singer dad. Or the overbearing and unpleasant local Shinto priest, a former Christian cultist. Or Endo, Kazuya's new colleague, a bitter drunk after his son's suicide. Or Kin, a former terrorist, now a hermit on his boat engaging in secret "research." Or perhaps most importantly Teruko, the hypnotically beautiful bar owner, the focus of all manner of innuendo and intrigue. Something mysterious, even mystical, is going on Kaname, and hapless Kazuya is about to be thrown into the middle of it.

Misaki is a popular bar hostess whose policy is to 'live on presents'. She is haughty and wants nothing but the most expensive and exclusive. One night, she finds a rabbit and takes it home, setting off the story of an unimaginable tragedy. It is an 'animal panic horror' film with a new edge presenting an allegory of the worst in the modern materialistic world. This is the first full-length feature film for Yuichi Kanemaru, who has worked as assistant director to Kaneto Shindo, Yasuo Furuhata and Takashi Miike. And Tomoko Tabata's dynamic performance in her first horror movie is a definite highlight.