Ágnes Pákózdi

In a small traditional Georgian village, Etero, the owner of a housekeeping shop, is a forty-eight-year-old spinster. She cherishes her freedom, as much as her cakes, and is preparing for a peaceful and comfortable retirement away from gossip. But a fiery affair with her delivery man could derail all her plans.

A village on the Georgian Black Sea is full of friendly people convinced they know each other. One day, Eliko is found hanged. His granddaughter Moe comes to organize his funeral. She is confronted with a web of lies and the tragic consequences of Eliko's hidden love life with Amnon, which lasted 22 years. The truth however frees Moe’s capability to love and forces the villagers to take a stand.

In Georgia, two stranded Nigerians, Obinna and Afame, navigate the sleeping city of Tbilisi after a long night out. However, as day breaks the true colors of their ambiguous affection begin to show. In this way, they find solace despite their hostile environment.

A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.

A young pigeon fighter in Cairo leads his neighbourhood into the final battle. While pigeons may symbolize peace, here they reflect martial spirit and pride.

Conny and Sigi lives in a villa in Berlin's Westend. Cony has fear of the future and want to do something meaningful. She suggests they adopt a poor Roma child from Eastern Europe.

Patrick and Sara are in love. And they are involved in a group campaigning for the rights of refugees. When their rapprochement leads to sexual assault, their private love story takes on an unintentional political dimension.

Berlin, a summer in the age of neoliberalism: the spectre of the soviet avant-garde is haunting the city. A young Georgian contract-worker is surprised to find the ghost of the Russian revolutionary poet Vladimir Mayakovsky in his kitchen. At the same time, his friend Kasimir inherits a big fortune, but what shall he do with all this money? Framed by a travel through time leading to Flaubert's 19th Century und the shooting of a revisionist melodrama for German television, the film follows the adventures of these three characters in contemporary Berlin. A suprematist digital comedy about the transmission of emancipatory energies.

The year the snow won’t fall in December, Madonna will bear her third child and an asteroid named “Apophis” will get horribly close to earth, still flying by and giving the humankind another chance. One day early spring two young women will meet each other in Berlin, the capital of Germany to spend the evening together and on the next day in a shopping centre packed with people called “Alexa” to blow themselves up with explosives attached to their bodies and thus commit the biggest terrorist act that Germany has seen so far – the last evening is the film.