George Sluizer

Filmed in 1993 but never completed due to River Phoenix's death, Dark Blood tells the story of Boy, a young widower living on a nuclear testing site in the desert. Boy is waiting for the end of the world and carves Katchina dolls that supposedly contain magical powers. Boy's solitude is interrupted when a Hollywood jet-set couple who are travelling across the desert become stranded after their car breaks down. The couple are rescued by Boy, who then holds them prisoner because of his desire for the woman and his ambition to create a better world with her.

After a near-death experience due to an aneurisma, director George Sluizer felt he had to go on filming and started research for a project he had in mind for a long time. It became the documentary HOMELAND, the fourth of a series about two Palestinian families he followed since 1974 in "Land of the Fathers", "A Reason to go" and "Adios Beirut". HOMELAND is also a personal film about his motivation, his relationship with the members of the two families who became very close. They are now scattered around the world, unable to return to the homeland. It is also an historical saga about the Palestinian people and their struggle for land and dignity.

An inexplicable crack in the Pyrenees Mountains provokes excitement and scientific curiosity. As the geological fracture deepens and widens, the European community begins to disassociate itself from the calamity, and panic ensues among tourists and residents attempting to escape. When Spain and Portugal physically separate from the continent, the detached Iberian peninsula aimlessly floats off to sea, becoming home to a group of god-like humans.

John Hurt stars as a scandal-hit member of parliament, dispatched to the political backwaters of the European Commission in Brussels as penance for his failures. However, once there he stumbles upon a chemical weapons outrage that points to a sinister political-industrial conspiracy.

A Portuguese imigrant in Holland dies in an accident and is buried in Amsterdam. But his soul will not rest in peace until his body is carried back to Portugal.

The star of a TV crime reenactment show becomes caught up in the mind of the killer he is playing.

The boyfriend of an abducted woman never gives up the search as the abductor looks on.

Hugh Whitemore adapted Bruce Chatwin's novel for this tale of a New York antique dealer who travels to Prague to buy the porcelain collection of the late Baron Utz, only to become embroiled in the wreckage of the dead man's unusual life history after he discovers that the collection is missing.

Rex and Saskia, a young couple in love, are on vacation when they stop at a busy service station. Saskia is abducted in broad daylight and three years pass with no answers or closure surrounding her disappearance. Rex has nearly given up all hope when he suddenly begins receiving letters from her abductor.

Shooting begins on an adult western about a man who claims he was held captive in the desert for 20 years.

In 1974, George Sluizer and Fred van Kuijk made Land of the Fathers, a film about two Palestinian families and the new diaspora of Palestinians: a Muslim family from the refugee camp and a catholic family living in a downtown apartment. In 1948, the year the State of Israel was established, they fled to Lebanon. In 1977, the filmmakers returned to the two families. Adios Beirut is the account of their third visit, at the end of 1982. Years of turmoil, terror, uncertainty and longing. Shot in Lebanon, Israel, France, Italy and Cuba.

Texas is the homeland of the Western diamondback rattlesnake, a plague to cattle, oilpipe engineers and everyone not on the alert. At Sweetwater’s annual Rattlesnake Round-Up - the largest in the world – only live snakes are brought in, to extract the venom needed for medical research. Thus, ingenious and scrupulously delicate hunting techniques are developed.

When a divorced museum director takes a young girl as a lover things quickly become more complicated when her ex-husband also engages in a relationship with the girl.

In 1974, two Dutch filmmakers made a film about two Palestinian families and their desire for recognition. At the end of the civil war in Lebanon, they returned to see if their friends had survived. Most did, but the years of fighting left an indelible mark on their lives. As the Palestinians say : “It is a long war struggle”.

Land of the Fathers is a film about the followers behind the Palestinian guerillas, is a film about two families driven from their rightful territory, is reflective about a situation of political tension, violence and terror, is, nevertheless, a film about daily life. Land of the Fathers was filmed in one of the camps in Lebanon, shortly after an Israeli bombardment.

The picture retraces the professional, social and family life of Zeca, a cow-boy from the northeast of Brazil. From the most perfect calm he can fly into a state of the wildest excitement. From his lazy hammock he leaps into the hard saddle, which carries him at breakneck speed along tortuous paths in search of his cattle.

A little village. Between the loam huts, a new construction: the school. In the classroom, adults make a first attempt at writing. At home,the children help their illiterate parents with their schoolwork. A woman :“Why I am at school? I don’t need to read or write. But I want to vote.”

Against all advice, a destitute Brazilian old man marries a nineteen-year-old girl. Because he can’t give her any children, he moves to the interior to make money, so she will at least have a good life. When he returns, he is told she has a three-year-old daughter. He buys himself a knife.

Documentary of a 1970 rock concert held in Rotterdam, The Netherlands.

An intimate account of a thousand kilometer journey on a river in the Northeast of Brazil on a self-made raft carrying a small household including two children. The raft is the means of transport since time immemorial and the journey to the town of Teresina lasts about a month. Life in slow-motion, with fleeting encounters along the banks. When the family arrives in Teresina, the merchandise is sold, the raft dismanteld, branch by branch, leaf by leaf.

For more than four centuries, young Portuguese fishermen have followed their fathers to the Grand Banks of Newfoundland and in recent years to Greenland’s banks to fish the cold waters for cod. Intrepid men, set off for the Banks on schooners under full sail, then adrift in a flat-bottomed dory, they bait the hundred of hooks of their long-line, oblivious to fog, rain and Arctic wind, they labour 18 hours a day and haul up cod by the score.

The polder, main feature of the Dutch landscape, has a disconcerting effect on the traveller who comes across it. In the film a young man begins to explore this world and finds himself steeped in silence and in the vastness of space. He has a feeling of serenity which he naively endeavours to capture. But the climate of Holland always seeks revenge. Serenity gradually gives way to despair against the backdrop of the bare landscape with no shelter to offer. The very same reasons which explain the polder’s charm now become responsible for a hostile attitude : the vastness becomes oppressive, paradise becomes a hell.

Holland is threatened from all sides by water. The film tells about the creation of Holland millions of years ago, the history and methods of land reclamation in the last five centuries. The film sets the everlasting struggle of its inhabitants against the sea in a clear perspective, combining prints, animation and traditional photography.