Sam Pollard

Through never-before-seen archival footage and first-hand accounts of those who knew him best, the film traces Archbishop Desmond Tutu’s rise as the voice of the oppressed, guided by faith, hope and an understanding of the power of forgiveness.

Renowned documentarian Sam Pollard tells the astonishing, inspiring story of the Lorraine Motel in Memphis, Tennessee, site of the assassination of Reverend Martin Luther King, Jr., and its remarkable owners, Walter and Loree Bailey.

Surviving childhood abuse during his upbringing in Baltimore, Archbishop Carl Bean forged a path to New York and Hollywood to do the one thing he knew he was put on earth to do: sing. Making his mark first as a gospel singer, Bean got the break of his life when Motown tapped him in 1977 to record the disco song “I Was Born This Way,” which quickly became the first gay anthem at a time when it was uncommon to be out and proud. When the AIDS crisis hit, however, Bean soon found himself drawn to a different calling: compassionate activism. Instead of pursuing the momentum of his promising music career, he founded the Minority AIDS Project and the Unity Fellowship Church — the first LGBTQ+ church for people of color.

The untold story of the man and the musician who made an immense cultural impact across just a few short years. Having gained exclusive rights to a never-before-seen personal archive shot by his wife alongside access to his closest friends and family, the doc is described by the filmmakers as a culture-defining special that humanizes ODB as a man, a father and a husband like never before. It explores how Russell Tyrone Jones created Ol' Dirty Bastard, a Hip Hop alter ego superhero that would ultimately consume him.

In his provocative 2021 book, The Devil You Know: A Black Power Manifesto, New York Times opinion columnist Charles M. Blow calls for a “reverse Great Migration” of African Americans from the North back to the South to upend today’s political power structures while reclaiming the land and culture they left behind. South to Black Power does more than illustrate Blow’s enlightening ideas; we journey through Blow’s personal story, from his childhood in Louisiana to his role as father to young adult children in New York City, showing us the hard-won truths behind his vision for the future.

In The Harvest, Pulitzer Prize-winning author Douglas A. Blackmon looks back at how school integration transformed his hometown of Leland, Mississippi. After the 1954 Supreme Court ruled that racial segregation in public schools was unconstitutional, little more than token efforts were made to desegregate Southern schools. That changed dramatically on October 29, 1969, when the high court ordered that Mississippi schools to fully — and immediately — desegregate. As a result, a group of children, including six-year-old Blackmon, became part of the first class of Black and white children who would attend all 12 grades together in Leland.

The triumphs and challenges of Negro League baseball in the early 20th century. Through rare footage and interviews with iconic players like Satchel Paige and Buck O'Neil, as well as Hall of Famers Willie Mays and Hank Aaron, the film highlights the league's pivotal role in Black communities and the impact of integration.

The Drum Waltzes explores the life and music of legendary drummer, activist Max Roach, his creative peaks, personal struggles and re-inventions from the Jim Crow to Civil Rights eras, from heady days of post-war jazz to hip hop and beyond.

Through first person accounts and searing archival footage, this documentary tells the story of the local movement and young Student Nonviolent Coordinating Committee (SNCC) organizers who fought not just for voting rights, but for Black Power in Lowndes County, Alabama.

Rise and Rebuild: A Tale of Three Cities follows realtor Brenda Dixon, mayoral candidate Khalid Kamau, club owner Devon Woodson, and social change artist Erika Allen as they build economic justice through homeownership, local politics, urban farming, and entrepreneurship in Wilmington, Atlanta, and Chicago.

Follows the life and career of Arthur Ashe.

An introduction to the work of some of the foremost Black visual artists working today, inspired by the late David Driskell's landmark 1976 exhibition, "Two Centuries of Black American Art."

Based on newly declassified files, the film explores the US government’s surveillance and harassment of Martin Luther King, Jr.

On the heels of the Civil Rights Movement, one fearless black pioneer reconceived a Harlem Renaissance for a new era, ushering giants and rising stars of black American culture onto the national television stage. He was hip. He was smart. He was innovative, political, and gay. In his personal fight for social equality, this man ensured the Revolution would be televised. The man was Ellis Haizlip. The Revolution was soul!

Director Sam Pollard constructs a portrait of charismatic trailblazer Maynard Jackson, who became Atlanta’s first black mayor in 1973. The son of pastors raised in the segregated South, Jackson entered college at 14 and took office at 35. During his three-term tenure, he led the city through the traumatic Atlanta child murders scare and triumphantly hosted the 1996 Olympics, all while championing racial equality. Family and colleagues, including Bill Clinton, Andrew Young and Al Sharpton, tell the epic story of a dynamic leader and his legacy of honor and progress.

A star-studded roster of interviewees (including Jerry Lewis, Whoopi Goldberg and Billy Crystal) pay tribute to the legendary, multi-talented song-and-dance man.

For 40 years, the community-organizing group ACORN advocated for America’s poorest communities, while its detractors accused it of promoting the worst of liberal policies. Riding high on the momentum of Barack Obama’s presidential victory in 2008, ACORN was at its political zenith when a hidden-camera video sparked a national scandal and brought it crashing down. The story involves voter fraud, a fake prostitute, and the rise of Breitbart.com.

Documentary about the increasingly necessary conversation taking place in homes and communities across the country between parents of color and their children, especially sons, about how to behave if they are ever stopped by the police.

The search of several young, white men for blues singers who have been missing for decades coincides with the Civil Rights Movement in Mississippi in the 1960s.

Unprecedented access to Wilson’s theatrical archives, rarely seen interviews and new dramatic readings bring to life his seminal 10-play cycle chronicling a century of African-American life. Wilson won two Pulitzer Prizes for Drama.

A documentary that recounts the many ways in which American slavery persisted as a practice many decades after its supposed abolition.

Before Oprah, before Arsenio, there was Mr. SOUL! Mr. SOUL will tell the biographical story of Ellis Haizlip, the producer and host of the groundbreaking television series SOUL! which aired on public television from 1968 to 1973. Once completed, the film will be distributed theatrically and offered to PBS for national broadcast.

Chinatown is an evocative place. It exists in our cities, in our imaginations, on our television screens, and in our memories. It is at once a sprawling, vibrant immigrant community and a forgotten strip mall of buffet restaurants.

Movie fans reenact their favorite movie scenes word by word. This film focusing on the life of American movie buffs and their passion for movies and why visual story-telling is important in their life.

Zora Neale Hurston, path-breaking novelist, pioneering anthropologist and one of the first black women to enter the American literary canon (Their Eyes Were Watching God), established the African American vernacular as one of the most vital, inventive voices in American literature. This definitive film biography, eighteen years in the making, portrays Zora in all her complexity: gifted, flamboyant, and controversial but always fiercely original.

When Marvin Gaye died in 1984, he left behind one of the great legacies in American music. More than a superb vocalist and subtle composer, he was a visionary who expressed the tenor of his times. Both radical and romantic, a self-taught singer with a flair for autobiographical revelation, he thrived on confession and loved candor.

John Ford and John Wayne — a friendship and professional collaboration that spanned 50 years, changed each others’ lives, changed the movies, and in the process, changed the way America saw itself. It was a relationship that reflected all the elements and all the paradoxes of 20th century America — generosity of spirit, abuse of power, a sense of loyalty, and a restless nationalism that didn’t quite know what to do with itself.

A behind-the-scenes look at the making of Spike Lee's satirical take on the American entertainment industry.

Goin’ Back to T-Town tells the story of Greenwood, an extraordinary Black community in Tulsa, Oklahoma, that prospered during the 1920s and 30s despite rampant and hostile segregation. Torn apart in 1921 by one of the worst racially-motivated massacres in the nation’s history, the neighborhood rose from the ashes, and by 1936 boasted the largest concentration of Black-owned businesses in the U.S., known as “Black Wall Street.” Ironically, it could not survive the progressive policies of integration and urban renewal of the 1960s. Told through the memories of those who lived through the events, the film is a bittersweet celebration of small-town life and the resilience of a community’s spirit.