Known for Editing
Filmography
36 films, 3 shows


Sarkozy-Gaddafi: The Scandal of All Scandals
2025 · 1h 43m
country: France
A democracy and a dictatorship. A presidential campaign and dirty money. War and death. When Nicolas Sarkozy affirmed in the press that “No one can make sense of it”, he was trying to discredit the investigation into his ties with Muammar Gaddafi, portraying it as a bunch of gibberish. As Sarkozy and his many accomplices go on trial in the Libyan campaign financing affair, here’s the film that will finally explain all of the ins and outs of one of the most remarkable French political scandals in decades.


La vérité est révolutionnaire – L'Aveu
2024 · 1h 1m
country: France
Edwy Plenel narrates, using archival footage, excerpts from the film, and present-day interviews with Costa-Gavras, how it was a political event: the first popular film to confront the issue of Stalinist trials and pave the way for the moral crisis of communism.


Tax Me If You Can
2022 · 1h 54m
country: France
Welcome to the enchanted world of capital evasion. The keys to fortune: knowing how to hide, find accomplices and take advantage of all the flaws. The rest of us mere mortals are left with austerity policies and the joy of living in an increasingly unequal world... How far will predators go in this widespread plundering of our economies? How is the political staff complicit? How are we braking? Between Paris and Geneva, Washington and Luxembourg, from Société Générale to HSBC, via Mac Donald, Ikea and Google ... we will track down the circuits of tax evasion and decipher the mechanisms of tax fraud.


The New Watchdogs
2012 · 1h 40m
country: France
In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.