Uğur Ateş

In a remote village of Anatolia, the dead body of a female doctor creates a deep curiosity among the villagers. The shepherd who didn’t confess his treatment because of his social fear, becomes the main suspect of the incident. Meanwhile for the lawyer the village he visited coincidentally to find peace gradually turns into darkness of expectations which are manipulating the truth or maybe it’s the truth hiding somewhere closer no one dares to look.

A man and a woman embark on a long and difficult journey to leave war and famine behind and find a new home, but they find themselves stuck in the world of two brothers who share a big dark secret.

Having spent ten years of his life in prisons, Güney escaped from Isparta Semi-Open Prison in 1981 and went to Paris, where he would spend the last years of his life. The recognition Güney received as a filmmaker in France brought him the Palme D'or at the 1982 Cannes Film Festival for his film "The Road." The documentary builds a bridge between France and Turkey through Yılmaz Güney, tracing his footsteps in Paris, the filming process of "The Wall," the lives he influenced through his political struggle and cinema, and the stories of those who were forced to leave their country after September 12th, who came to France as immigrants, his friends and colleagues, and the life stories of exiled people whose paths somehow intersected with his during this journey.

Sabit Kanca's landlord, Uncle Rıfat, wants to marry Rencide Posuk, whom he saw on television. However, Rencide does not like Uncle Rıfat when they first meet. It is up to Kanca to reconcile them, and he is forced to do so because of his accumulated rent debts. While Kanca is trying to resolve the situation, Turabi, the ex-boyfriend of Rencide's daughter Zeliş, also gets involved. When Turabi kidnaps Rencide to marry Zeliş, whom he is obsessively in love with, the situation escalates. Of course, it is Sabit Kanca's responsibility to resolve the situation.