Kanamé Onoyama

After the sudden death of her husband, working mother Nawal has to fight for her inheritance in order to save her daughter and home in a society where having a son would be a game changer.

"Kay's compulsive property viewing becomes a problem when a supernatural estate agent forces her to start a new life in an empty house" A short film written in response to Mann-Booker Prize winner Marieke Lucas Rijneveld's original short story of the same title. Both pieces commissioned by writing platform Alexander alxr.com/ The process behind this film was an unusual, but very stimulating one. I was asked to make a film to exist as a companion piece for Marieke's new story, but rather than simply adapting it for screen I was invited to interpret & reimagine it in whatever way I wished. This freedom allowed for a really interesting creative process and has lead to an outcome where we have two brand new, wholly distinct stories that are nonetheless unmistakably close cousins- sharing a huge amount of creative and thematic DNA. After you watch the film I encourage you to read Marieke's story- it's great, and you might enjoy exploring the crossover of the two things.

The Man In The Hat sets off from Marseilles in a small Fiat 500. On the seat beside him is a framed photograph of an unknown woman. Behind him is a 2CV into which is squeezed Five Bald Men. Why are they chasing him? And how can he shake them off? As he travels North through France, he encounters razeteurs, women with stories to tell, bullfights, plenty of delicious food, a damp man, mechanics, nuns, a convention of Chrystallographers and much more, coming face to face with the vivid eccentricities of an old country.

Algeria, 1994. S. and Lotfi, two friends from childhood, travel through the desert looking for Abou Leila, a dangerous terrorist on the run. Their quest seems absurd, given that the Sahara has not been affected by the wave of attacks. Lofti has only one priority : to keep S. as far from the capital as possible, knowing his friend is too fragile to face more bloodshed. But the closest they get into the desert, the more they will be confronted with their own violence.

Two years after the Fukushima nuclear disaster, Murai braves danger and wanders through the no-go zone in order to spend time with Jun, his eight-year-old son.

Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.

Oscar Mongoût, a gourmet cannibal, burns with love for a neighbor in his building, the very vegetal Miss Carrot. But this passion seems destined to fail: she is vegetarian, while he has a severe case of vegetable phobia. Things take a drastic turn the evening she invites him to dinner.