Known for Costume & Make-Up
Filmography
11 films, 3 shows


The Burnt Orange Heresy
2020 · 1h 39m
country: Italy
Hired to steal a rare painting from one of the most enigmatic painters of all time, an ambitious art dealer becomes consumed by his own greed and insecurity as the operation spins out of control.


Loro 2
2018 · 1h 40m
country: France
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.


We Believed
2010 · 2h 50m
country: Italy
1828. After witnessing the brutal repression of revolutions in monarchist South, three young friends join Giuseppe Mazzini's patriotic cause, seeking to finally unify Italy under a republican government. Their idealism will clash with the inevitable disillusionment as they grow apart over the following decades.


Casanova
2005 · 1h 52m
country: United States
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.


Ripley's Game
2002 · 1h 50m
country: United Kingdom
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?