François Waledisch

In her often pioneering work, historian Michelle Perrot has continually questioned the fate of those on the margins of our society, giving them a voice to break the silence of history. In her Histoire de chambres (History of Bedrooms), published in 2009, Michelle Perrot speaks in the first person for the first time. She explores the social and intimate role of bedrooms throughout history. Inspired by these reflections, Teri Wehn Damisch paints a "bedroom" portrait of the historian: we enter with Michelle Perrot into the bedrooms of the house in Nohant, where the rebel George Sand, her first heroine, lived. The defining events of her childhood, the awakening of her political consciousness, her daring research, her decisive encounters, her view of feminism: Michelle Perrot immerses us in the episodes that shaped her life as a free woman and placed her among the most influential intellectual figures of our time.

Two brothers, Pierre and Vladimir, wonder if their Russian grandparents, Lily and Constantin, worked for the Soviet secret services in Paris during the 1930s and 1940s. Their research begins in Russia. After meetings and conversations, yellowish photos and vodka glasses, a lost world begins to emerge harassing the present.

A director has been filming his staircase which he has been climbing to the 6th floor for twenty years.

Teenagers have always experimented with their sexuality, progressing from touching and kissing, to heavy petting, to full sex. But in an age where pornography is omnipresent and sexting common in schools, have the rules of engagement changed? Young people between the ages of 12 and 23 are interviewed about their first sexual experiences. What emerges is an environment of extreme social pressure and a loss of innocence experienced with feelings of fear, shame and guilt.

It is the history of a ball. A grand ball. Each summer, more than two thousand people tributary of the whole of Europe in a corner of the French countryside. For 7 days and 8 nights, they dance, again and again, lose the concept of time, braving their toil and their body. It rotates, laughs, it spin round, it cries, it sings. And the life pulse.

Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.

The film is made up of a series of sequence shots on the sexes of a few people who tell us the story and the life of their sex.

Forty years after his death, this documentary pays tribute to one of the major filmmakers of Italian cinema, to an original work that continues to inspire today's cinema. Coming from one of the greatest families of the Italian aristocracy, he could have been a rich and cultured man, living in opulence and idleness, but Luchino wanted a different destiny. This is the story that director Elisabeth Kapnist and Christian Dumais-Lvowski wanted to tell. Count Visconti di Modrone wears the clothes of a legend that he never stopped shaping throughout his life. This documentary reconstructs the fabric of a brilliant life, dedicated to art; theater, opera, and cinema. This artistic work is also that of a committed man, who was a fellow traveler of the Communist Party, and who resisted fascism.

The act of seeing wars is a construction. This is where it starts. Hotel Machine is a reflection on the production of representations of conflicts. Hotel Machine is the story of a hotel that remembers.

Umberto Eco, the author of best-selling novels who passed away in February 2016, unveils the secrets behind his undertakings and novels.

Based on a novel that Albert Camus was working on when he died, we follow Jacques Comery as he travels back to Algeria in 1957, a place full of childhood memories. The country is split between those wanting to remain a part of France, and those demanding independence. Reminiscences of his mother, his stern grandmother and a young Arab boy come flooding back.

This portrait of a film director unlike any other attempts to capture the essence of Vittorio de Seta’s rapport with the humble people he filmed and elegantly brought to Cinema Scope’s big screen in color from the 1950s onwards. From his home in Calabria, the film director looks back over his epic films.

To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.

1 September 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on 11 September 2001.

During the Second World War, in 1943, Anne Frendo, a young dreamer and artist, living alone with her father in Tunisia, discovers, by chance, the lifeless body of a French soldier, parachuted in. At the invitation of her aunt, Sophie Frendo, an Egyptologist, she sets out on a journey that leads her to Sfax, Egypt, taking with her a letter that the soldier had begun to write, and which seems to be intended for her.

An upper middle-class French family celebrates a birthday in a restaurant. In one evening and during one meal, family history, tensions, collective and separate grudges, delights, and memories both clash and coalesce.

Martine is 25. Since breaking up with François, she has the feeling that the world is caving in on her. Between small jobs and one-night stands, she can't seem to get a fix on herself. In desperation, after a last quarrel with François, she unintentionally causes an accident that leads her to the emergency ward of a psychiatric hospital. During her brief stay, she unexpectedly sparks into life. She takes an interest in two young patients, Pierre and Anne, convinced that she is doing the right thing in supervising their love life...

André arrives in a city he doesn't know. He only has the address of a young woman in his pocket: Adèle Frelon, but he will never manage to see her.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

The story of prisoner Nanard, who aims to find love when he gets out of jail.