Emily Carding

When James receives a mysterious letter from his lost love Mary, he is drawn to Silent Hill—a once-familiar town now consumed by darkness. As he searches for her, James faces monstrous creatures and unravels a terrifying truth that will push him to the edge of his sanity.

How the right to civil liberties was won on the streets of Britain by LGBTQ activists.

Phea is an aspiring singer-songwriter who feels stuck. Her music career has stalled, and her relationship to her girlfriend Justine is on the precipice. So when Justine stops answering her calls, Phea tries to find her to get some explanation — but she is soon drawn into the orbit of a dangerous human trafficker that puts her own life, and Justine’s, on the line. She swiftly discovers that she would do whatever it takes to save her lover.

Flynn finds himself thousands of pounds in debt to the biggest criminal in the county, due to his old friend Aiden's irresponsible behaviour, in this indie comedy set in Gloucestershire.

1975, Devon. Nine year old Jazmin Hughes goes missing. 15 years later, her body is found and her parents are thrown into grief once again.

Gabriel Cushing (David Curtis) and Melanie Lancley (Vicki Glover) fight demons, and they're good at it. Really good. With Gabriel's knowledge and intuition and Melanie's tenacity there's nothing they can't overcome. When Gabriel gets a mysterious call from an old friend of his father's, Dr Albert Parker, they head off to investigate, but when they arrive, Dr Parker is missing and so are several other people. Something is praying on the unsuspecting people of South Western, something unnatural. The Carnival of Sorrows has come to town...

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

Professor Philip Goodman devotes his life to exposing phony psychics and fraudulent supernatural shenanigans. His skepticism soon gets put to the test when he receives news of three chilling and inexplicable cases -- disturbing visions in an abandoned asylum, a car accident deep in the woods and the spirit of an unborn child. Even scarier -- each of the macabre stories seems to have a sinister connection to the professor's own life.