Claude-Emmanuelle Gajan-Maull

In the intimacy of their rooms, Claude-Emmanuelle, Régina, and Nicole apply makeup in front of mirrors. Their precise, repetitive gestures become rituals of transformation and self-affirmation. Fragments of past, secret thoughts, and desires emerge through their voices. Interwoven with images of the city, the film links private experiences to the universal, exploring destinies that brush against each other without ever crossing paths.

When Fatima leaves her close-knit suburban family to study philosophy in Paris, she finds herself caught between her religious upbringing and the freedom of student life in the city.

Diagnosed «crap with girls» by his friends, Anis’ love life has barely a pulse. Three years after the loss of Isma, his best friend and mentor, Anis takes his courage in both hands and decides finally to get out and meet people again. And the person he meets is Madeleine. Thinking she’s way out of his league, Anis gets tangled in a web of silly lies trying to impress her. But something huge is about to start. An unexpected thing. A thing called love.

A group of animals living on a mysterious island try to overcome their personal traumas.

Reb, a social worker, fights body and soul to restore a semblance of dignity to a forgotten fringe of society: sex workers. One summer night, Maria, a transgender prostitute, is murdered. Reb and the prostitutes finally get the chance to speak out, as no one else will.

Alex and Sacha are shaken up by the closure of the online video game on which they met. As Alex and his mother go on holiday to the south of France where Sacha lives, the two teenagers will attempt to meet up and finish the game together.

Je Suis follows the path of a young woman who faced the challenges of extended solitude during the past year. While following an ancient ritual to present a gift to the nature gods, Claude meets a mythical woman, Gaïa. The pair embark on a journey together through which the goddess guides her to reconnect with herself and the surrounding world.

Charlotte Gainsbourg agrees to play a witch condemned to be burned at the stake in the first film directed by Béatrice Dalle. But the chaotic production, technical problems, and psychotic breakdowns gradually plunge the shoot into a chaos of pure light.

When a dance troupe is lured to an empty school, a bowl of drug-laced sangria causes their jubilant rehearsal to descend into a dark and explosive nightmare as they try to survive the night—and find who's responsible—before it's too late.

"My muses may not be yours, my monsters may not please you." CHARBON portrays a new generation of Parisian artists: authors, photographers, illustrators, performers, musicians, poets. They all let their thoughts drift away during nights, performances or simple conversations.

In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.