Naomi Kawase

Corry, a French coordinator of pediatric heart transplants is sent to Japan where organ donation remains taboo. As she fights to save a young boy, her partner Jin, a photographer from Yakushima, suddenly vanishes.

From the music of Tunisian composer Amine Bouhafa, Japanese filmmaker Naomi Kawase crafts a story of two young people ruminating on existence and life in a city. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.

From a vast record of 750 days, 5000 hours, Official Film of the Olympic Games Tokyo 2020 SIDE A and SIDE B are the official documentaries by Naomi Kawase capturing not only the athletes gathered from all over the world, but also their families, people involved in the Games, volunteers, medical personnel, and protesters shouting for the cancellation of the Olympics.

Follows Japanese director Naomi Kawase as she directs the official film of the Tokyo 2020 Olympic Games, giving a message that goes beyond the physical exploit to mark souls, with her style and all her subtlety.

Through this short film directed by Naomi Kawase you will witness the expressiveness of students and interviews with educators from Waldorf school’s throughout Japan.

After suffering through a long and unsuccessful series of fertility treatments, Satoko and her husband Kiyokazu make the decision to adopt a child. Six years after adopting a boy they named Asato, Satoko has quit her job to concentrate fully on her husband and son. The family lives a peaceful existence until the arrival of a stranger.

In the form of a fiction, Naomi Kawase delivers a self-portrait which is also a re-crossing of her earlier films. The old city of Nara, the first capital of Japan where Naomi Kawase is from and where she still lives, opens up a reverie where past, present and future meet. In its winding streets mingle the "Haré" of days of celebration and ceremony and the "Ké" of everyday life.

Centres on Jeanne, a journalist tracking a mysterious rare herb that appears only once every 997 years.

Toru revisits the astronomical observatory in his old school for the first time in 15 years. He finds a notebook in the room that remained unchanged and frozen in time. "Thanks for watching me." It was a message from Shinya, a member of the school dance club, who he had feelings for.

Six stories based on six songs, the first project of Cinema Fighters.

A film-within-a-film from Kawase's "Radiance" (2017). The film depicts a man who is obsessed with the woman of his destiny and clings to the past, and his wife who suffers from dementia.

The story follows the social intercourse between a cameraman, Masaya, with a visual impairment, and Misako who disconnects from the world.

Naomi Kawase goes to the south of Japan in search of her family origins on Amami Island, with her four-year-old son Mitsuki. They meet parents, chat with the island’s inhabitants, eat traditional goat soup, observe a total solar eclipse. By reconnecting the threads of her family history, Naomi Kawase gradually fills the void left by her parents' abandonment.

This is the story about the life and artistic views of a designer through an interview that’s replete with poetic dialogue.

Naomi Kawase describes Sakura Ando, the lead character in her film, as "a mysterious creature" who is "like a fairy. SEED is the story of the journey this girl takes from the enchanted nature of Nara to the chaos of Tokyo, and the encounters she has along the way. A boy offers her the gift of an apple, which she in turn gives to a homeless man, who proffers a soft piece of chiffon fabric in return. Moving like a tree that sways in the wind, the girl embodies a spirit that secretly runs through places and living things. The eleventh film commissioned by Miu Miu Women's Tales was directed by the multiple Cannes award-winning Japanese director Naomi Kawase.

The master of a dorayaki pastry store hires a 76-year-old woman whose talents attract customers from all over. But she's hiding a troubling secret. Life's joys are found in the little details, and no matter what may be weighing you down, everyone loves a good pastry.

On the Japanese island of Amami, despite lacking parental guidance, Kaito and his girlfriend Kyoko try to find their place in the world. While Kaito suffers from the absence of his father, who moved to Tokyo after his birth, Kyoko must come to grips with her mother’s terminal illness.

The song "Sakura Nagashi" by Hikaru Utada, reflects on themes of love, loss, and the beauty of fleeting moments. The opening lines describe cherry blossoms falling after just blooming, and the disappointment of witnessing their ephemeral nature. This could symbolize the passing of time and the realization that life is transient. The persona mentions someone who was watching the cherry blossoms with regret, suggesting that they were aware of the beauty and brevity of the moment. The chorus, "Everybody finds love, In the end," could imply that despite the fleeting nature of relationships, love ultimately prevails. It suggests that despite the impermanence of romantic connections, everyone will find love in the end. This can be seen as an optimistic message about the resilience of love. Overall, "Sakura Nagashi" conveys the delicate and transient nature of life and love, urging listeners to cherish moments, express their emotions, and embrace love despite its impermanence. —SongTell

Kawase pays tribute to the grandmother that raised her after being separated from her parents as a child. The film teems with memories, but it is the faded, dusty photographs capturing the kindness in her grandmother’s shy smile that truly bring the woman to life.

Woodwork artist Takumi moves to the small village Asuka in Nara Prefecture. He remodels old homes and lives a peaceful existence with nature. Takumi then meets Kayoko, a woman who went to the same school as Takumi. Kayoko is fascinated with the color crimson. She dyes scarves with the color of hanezu. Kayoko lives with boyfriend Tetsuya, who works as an editor of a PR magazine. They live together. Soon, Kayoko falls in love with Takumi.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

About Tadashi Yoshimura's maternity clinic where he practice "natural births" deep in the forest of Okazaki (Japan).

Kawase explores the fragile and often tense history between Korea and Japan through the relationship that develops between a third generation Korean-Japanese man, who unexpectedly visits the small and quiet village of Koma, and a Japanese woman, a somewhat mysterious inhabitant of the village.

Kawase's entry in the Haiku project

The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

Saiko travels to Thailand but she jumps out of the cab after knowing the driver's intentions. However, her life changes after she meets Greg.

A young woman working at a retirement home takes an elderly man living there on an excursion into the countryside, but the two wind up stranded in the titular forest.

Tarachime is a documentary film which observes 'life' through childbirth. Kawase Naomi, a film director working under the theme of family, life and death, presents the bond of life through her own childbirth experience. "First, I was planning to film from the day I conceived a child and to the moment I gave birth. But I realized, while filming, that this is not the story of "one life." In the end, the film sublimed to a higher stage on which we can witness the knot tying one life with another."

The Aso family live in the old town of Nara. One Day, Kei, one of the Aso's twin boys suddenly disappears. Five years later seventeen-year old Shun, the remaining twin, is an art student. He now has to move forward with his life, together with his childhood friend, Yu.

Naomi Kawase's documentary about Nishii Kazuo, a photo critic. He is the last chief editor for the Camera Mainichi magazine, rushing through his time with Araki Nobuyoshi and Moriyama Daido as provocative artists in the photograph world.

Kawase tries to come to terms with her late father, whom she never knew when growing up, and contemplates getting a tattoo like his.

Emotionally withdrawn strip club dancer Ayako has never recovered from her mother's suicide when she was young. She begins a relationship with patient potter Daiji, but leaves him behind when she quits her job and returns to her home town after a 10 year absence.

A photographer and a filmmaker challenge each other to shoot—one to photograph the other to film—two young actresses, one from Tokyo, the other from the countryside. The photographer seeks naturalism in his compositions, and Kawase observes and comments on his work. The competition between the photographer, the filmmaker, and the actresses creates a charged atmosphere.

Naomi Kawase returns to the mountains of her feature film Suzaku and portraits the people that inspired the movie.

Depicts the life of a family in a remote Japanese timber village. Family head Tahara Kozo lives with his mother Sachiko, wife Yasuyo, nephew Eisuke and young daughter Michiru. Economic recession and failed development plans cause tragedy in the family.

The last piece of Naomi Kawase's Grandmother Trilogy, following Katatsumori (1994) and See Heaven (1995), filming her grandma and herself. Her gazes and insights are cast on the lovable beings in front of her eyes.

The film takes shape through the form of a video exchange between Hirokazu Kore-eda and Naomi Kawase. Each films the world around them and intimately reflects on their individual struggles with making films. Kore-eda self-consciously reflects on his process, “What does a camera shoot? What does a film capture? The emptiness in my life reflects in my work.” Kawase concentrates on her everyday life and candid moments with her friends, who say, “Hang in there Naomi we are all on your side,” and, “You never keep the promises you make, but I love you anyway.”

Naomi Kawase observes people in the city of Shibuya with curiosity and openness, drawing parallels between life and filmmaking and discovering her abilities as a filmmaker.

This experimental documentary follows director Kawase as she walks through Shibuya in the winter of 1995 with a camera, attempting to interact with the people she encounters. She approaches strangers on the street and exchanges her belongings with theirs. The film captures the atmosphere of Shibuya at the time, as well as the sense of distance and relationships between people.

The sequel to Naomi Kawase's Katatsumori. The film revisits Kawase’s relationship with her "grandma", capturing their love and attachment towards each other.

Filmmaker Naomi Kawase captures the love, loss, and loneliness felt as she prepares to move out of her foster mother's home.

Taichi, a security worker, meets a girl, Heki, at a bar. The next evening, he sees the beautiful view of his town for the first time in ages, and decides to take the long way home, where he runs into Heki again.

A diary film about Kawase's relationship with her grandma and her search for her father, whom she has not seen since her parents divorced during her early childhood.

1991 short film

1990 short film

1989 short film

1989 short film.

1989 short film

1988 film.

1988 short film

1988 short film

Kawase's debut film, shot after a fateful encounter with an 8mm film camera. The sturdy frame honestly reflects what the photographer sees and feels. The photographs were not of any particular interest, but rather of ordinary scenes and happenings; "everything was fresh and new, and I found walking around the town to be a joy".