Nathalie Vidal

During a book signing in Normandy, Annie Ernaux, 70, revisits her memories of the summer of 1958, when she was 17. That summer, she left her hometown to work as a camp counsellor. At the first party, the head counsellor set out to deflower her. Finding him handsome, she lets him do it, as if against her will... Her body becomes a foreign place for her, an offering to be sacrificed.

A major figure in contemporary feminism and the first Frenchwoman to win the Nobel Prize for Literature, Annie Ernaux is seen by many as a source of individual and collective emancipation, blending the intimate with the universal. Filmmaker Claire Simon has devoted an original portrait to her, giving students and teachers a voice.

The corpse of a woman is found in front of Maria’s apartment window. She agrees to take charge of the funeral, becoming involved in her neighbour’s existence. Maria adopts the woman’s unattended dogs and forms a bond with her estranged son. After the burial, Maria tries to reclaim her own life back, but a haunting feeling lingers.

When Internal Affairs officer Stéphanie investigates a young man severely injured during a chaotic Paris demonstration and finds no police misconduct, the routine case hits close to home upon her discovering the victim is from her native town.

On a stretch of desert coastline in northern Chile where it never rains, seaweed collectors live on a shoestring and live life to the fullest, in shacks surrounded by garbage cans and driving rickety cars. A happy vision of the simplicity of the world.

Getting married to Enrico Macias' daughter, I didn't know that, 30 years later, I will still be mad at him for turning our wedding into an excessive show. When I watch my wedding's footage, I realize that I started a family at that precise moment : two sons, a break-up, three daughters, another break-up, a loss.

In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.

The Adamant is a unique day-care centre. A floating structure located on the Seine in the heart of Paris, it welcomes adults suffering from mental disorders, offering the kind of care that grounds them in time and space and helps them to recover or keep up their spirits. The team running it tries to resist the deterioration and dehumanisation of psychiatry as best as they can.

As death hovers, Dominique films precious moments of a great love story.

Road trips through Los Angeles, famous verses in the Poetry Lounge and love in times of the pandemic: Rendezvous with an old flame, fourty years later. After Jaurès (2012), Vincent Dieutre presents another tender autofictional piece in the Forum.

They grew up in the land of dictators and surveillance, where images are censored, photos are burned, thoughts are discreet, and mouths are kept shut. They grew up in Syria.

An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.

Gilles Caron was at the height of his career as a brilliant photojournalist when he went missing in Cambodia in 1970. He was just 30 years old. Through his iconic photographs, and the gaps between them, this film, constructed like an investigation, aims to restore the photographer’s presence, recount the story of his gaze, and how he managed to cover every high profile conflict of his day in such a short period of time.

Pablo is seen less and less in the neighborhood. So much so that his friends no longer even know what's become of him. His secret: he has a passion for horse-riding and hides, for fear of having to cope with other people's attitudes. One day, his pals discover the truth. Pablo must then must make a major decision: to come to terms with himself and become the first cowboy in the projects.

An intimate exploration of the masculine territory of the high-rise projects at the edges of Paris. By following a group of young men, we wander through a world where female bodies are nothing more than ghostly and virtual silhouettes. The characters lead us inside everyday places where we hunt down the staging of their virility. Off-screen, narrated personal tales openly reveal the unexpected side to the characters' histories and personalities.

François Durrieux, a man in his forties, married to Clémence and father of Benjamin, has been employed for years by the firm DSBO. In order not to lose his job, he always submits to his boss's demands whether it means working after office hours, canceling planned holidays or harming his family life. However, when one night, Simon Lacaze, his best friend and colleague, commits suicide just after being fired ignominiously, François rebels...

Nag, a prostitute, walks the streets. One night, a violent man sends her to the hospital. There she meets Herve, a nurse obsessed with people's age and death in general. He falls madly in love with Nag and enters a world that amounts to very little.

This is a combination coming out and first love story. The swimmer and diver Lucard is interested in attractive Martin. The film follows the characters' coming out with all its difficulties, the bitter-sweet pleasures of first love and the dreadful moment when one comes down to reality and realizes that one's beloved friend has a hard way to go yet. The positive message the film tries to transmit is the somewhat common motto "Live each day of your life as if it were your last."