Wieslaw Bober

A film miniature set to music from Antonio Vivaldi's concert The Four Seasons. The seasons are linked in film impressions to periods in human life. The film refers directly to the theme of autumn in relation to man and his "autumn" season of life. During this period, despite a certain stability, people try to be active and creative. To this end, they draw on their wealth of experience and mature reflections. However, memories increasingly creep into their daily routine of intense work. They want to capture the color and mood of these memories and preserve them in their minds through associations with music.

A film miniature set to classical music. The theme of the musical piece serves as a pretext for an allegorical tale about the conception of life and human maturation. A colorful butterfly flies out of the pupil of an eye and merges with a man's face. Another butterfly lands on an orchid flower, merges with it, and then turns out to be a woman's face. The butterfly-shaped faces merge with each other. After a moment, the camera follows a tiny seed rushing deep into matter. The seed grows dynamically and transforms into a human embryo. From this moment on, the images on the blocks – puzzles – change very quickly: they show life from the birth of a child, through taking its first steps and discovering the world, to reaching full maturity.

A miniature film set to classical music. The film was made using combined animation techniques and was inspired by Antonio Vivaldi's "Winter" from "The Four Seasons." It tells the story of the most important periods in a person's life. The image combines elements of winter landscapes associated with old age. The story of human biological existence is a pretext for philosophical reflections on transience and the meaning of life.

Combination animation and puppet animation.