Daniel Capeille

Boca Chica, Texas. Hemmed in by the Gulf of Mexico and the Rio Grande, the village is defined by the rhythmic sound of the waves. But this wild country is in the midst of irreversible change. For the swamps have been drained, the beaches closed and the homes bought out: the shadow looming over the beach is that of a 50-story rocket, being readied for launch into space.

Five years after Soleils noirs, Julien Elie returns with a rigorously researched work, asserting itself as a genuine cinematic piece. This time, he turns the spotlight on the regime of terror and violence forged by transnational companies, in collaboration with the Mexican government and organized crime allowing them to appropriate land and exploit resources. With respect and careful attention to detail, the film uncovers the courage and dignity of resistance to this new kind of colonialism that is both destructive and murderous in nature and reigns with utter impunity. The camera hones in on the faces of those who have dared to speak out, and on their daily lives, which have been turned upside down. It magnifies a land of great beauty and richness marked by physical and psychological scars.