Wolfgang Glück

Twenty-eight well-known filmmakers living and working in Austria were invited by WIENER MOZARTJAHR 2006, to produce associative miniatures on Mozart. Requirement: they had to be one-minute artistic short films. The directors come from a whole range of different backgrounds, ranging from animated, experimental and short film to documentaries and feature films. The result is a multi-facetted sampler of diverse formal and contextual positions with regard to Mozart’s person and his influence on today’s society, art and culture. The contributions run the gamut from experimental-conceptual statements through socio-critical and documentary observations to pithy short feature films.

Jan, a freelance journalist, and Sabine, the mother of his two children and a textile designer, have no money. Sabine is abandoned by her husband and then gets caught up in the bureaucracy. A sober psychogram of a woman who is fighting and hoping for her life and everyday life.

The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.

Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.

Der Graf von Luxemburg (The Count of Luxembourg) is an operetta in three acts by Franz Lehár to a German libretto by Alfred Willner, Robert Bodanzky, and Leo Stein. A Viennese take on bohemian life in Paris at the beginning of the 20th century, the story revolves around an impoverished aristocrat and a glamorous opera singer who have entered into a sham marriage without ever seeing each other and later fall in love at first sight, unaware that they are already husband and wife.

After a frank confession by his wife, a doctor is called to see a dying patient. The cause of the night brings him to meet an old friend, a pianist, who tells him of a mysterious ball where he is due to perform. Based on the book "Traumnovelle" ("Rhapsody: A Dream Novel") by Arthur Schnitzler, which was the inspiration for the film Eyes Wide Shut (1999).

When a worker digging up a rose bed in the garden of a rich, influential factory owner uncovers a skeleton, suspicion spreads: Is the man who is so respected in the town possibly a murderer?

The respected lawyer Jolly Gebhardt is in debt because of his lavish lifestyle and is therefore blackmailed by dubious criminals for embezzlement.

Eva wants to become a singer and ends up in the Mambo bar, where behind the scenes is traded with other goods than talents.

At a beauty contest, a saleswoman falls into the hands of brutal traffickers. A policewoman poses as a barmaid to infiltrate the gang.

When the cosmopolitan pastor Linhart takes care of the pregnant, unmarried maid Angela, the entire village believes that he must be the father of the child—especially when he takes in the baby Andreas after the mother's death. Twenty years pass. Andreas has grown into a handsome young man. The old rumors have long since been forgotten. But when Andreas falls in love with the pretty Hanni and the old farmer Santner wants to leave him his farm, the envy and hatred of the villagers are reawakened.