Ernő Mesterházy

In socialist Hungary, during the early 1980s, underground art flourished. In this often loud, heroic, and emotion-rich world, Vig Mihály, a key member of Balaton/Trabant, represented lyricism, intimacy, and internal journeys. He composed music for the films of János Xantus, András Szirtes, and Ildikó Szabó, and later became the regular composer for the world-renowned director Béla Tarr (and was even given a lead role in the 1994 film Sátántangó). In the documentary film, he speaks about his life, the atmosphere of the era, people associated with alternative culture, and his relationship with them, in an extremely personal and detailed way. We learn his thoughts on literature, music, film, and, in general, the world. He is a relaxed, funny character who is aware of his own limitations, does not deny the darker sides of his personality, but is able to look at his fate with satisfaction.

The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'

A sea captain makes a bet in a cafe with a friend that he will marry the first woman who walks in.

Two-time Olympic champion Áron Szilágyi spends another 4 years fighting day to day on the piste and in real life to become the first fencer in history to win his third solo gold medal at the 2020 Tokyo Olympics.

No equal signs of justice can be drawn between those who are accused of a crime, those who are convicted of a crime and those who are the true offenders. That triangle always contains the accused who are not guilty and true offenders whose guilt cannot be ultimately proven. Throughout history, one of the greatest deviations in the strive towards equality has occurred in the triangle of guilt in sexual crimes, where guilt is largely proven on the basis of a woman’s will.

After surviving the Holocaust, a grieving man who lost his wife and two young boys connects with a teenage girl who lost her parents and little sister. Knowing each other's emptiness, they become like father and daughter. It is the beginning of a profound love the world doesn't understand.

The entire village is obsessed with the championship: the establishment team, led by the mayor and his deputy, expects to win, while for the first time the poorest youths from the local Roma settlement, led by a recently released “golden‐footed” ringleader and joined by the juggling church priest, also enter the competition. Both sides hunger for victory, and when a mysterious millionaire offers to fly the top players to Brazil, the stakes skyrocket. The tournament becomes a fight not just for the title but for the village’s social balance.

Two introverted people find out by pure chance that they share the same dream every night. They are puzzled, incredulous, a bit frightened. As they hesitantly accept this strange coincidence, they try to recreate in broad daylight what happens in their dream.

A mother and son as grapple with the questions of life and death on an inner journey filled with strange stories.

While cleaning offices at night, Zsolt Kovàcs learns a lot about his invisible employers by examining what they leave behind, carefully choosing his targets, often disillusioned women whom he seduces, methodically taking their money. An artist of manipulation, with a generous dose of humor and the ability to assume different personalities, Zsolt begins to work in a psychologist's practice, where he meets Hanna, a 30-year-old dancer who is physically incapacitated and the daughter of a millionaire. The ideal victim if love doesn't get in the way.