Gin'ichi Kishimoto

One year after the Kidojis' eldest son Otohiko was arrested for his part in a terrorist kidnapping, which resulted in multiple deaths, all the other perpetrators' parents have either resigned from their professional positions or taken their own lives, Nobuyuki Kidoji remains adamant that he is not responsible for his son's actions.

Tomisaburo Wakayama is back with a new take on the classic Yamamoto Shugoro masterpiece “Ame Agaru” as a samurai on the run with his bride who makes a living by challenging dojo masters to a match, then taking money from them to keep quiet about it. Staying at an inn filled with many colorful characters and trying to make enough money to bribe the border officials to let them pass to the next domain this exciting, yet heartfelt story is a true testament to the power of the sword. When he meets an equally skilled swordsman the sparks will fly with a surprise ending that captures the soul of Japan!

Yataro Tanigawa, a one-eyed hired assassin, impresses yakuza boss Gomyo Kiyoemon with his skill. Gomyo hires Tanigawa as his bodyguard, or yojimbo, to protect him during an inter-clan conflict. Tanigawa quickly rises in stature in the clan, but finds his boss's enemies almost overwhelming.

Kumokiri Nizaemon, a former samurai warrior, has abandoned his class to become the leader of a gang of thieves. He leads his outlaws in an attempt to rob the castle of his former clan.

An industrialist is diagnosed with terminal cancer. He is abroad in Europe at the time, and a glimpse of a Japanese woman in that setting causes him to imagine her as the personification of his impending fate. As his dialogue with his imagined mortality continues, he meets the living woman, the template for his fantasy, and together, they tour rural churches. Gradually, he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges that profoundly test the lessons he has learned.

In feudal Japan, when any commerce with the rest of the world is strictly prohibited, an idealist appears at an isolated inn, headquarters of smugglers with stolen money intended to ransom his loved one forced to work in a brothel.

Executive management of a major Tokyo construction company are getting bumped off one after another. It seems obvious that it is a former partner of the company with a long-standing grudge who is responsible, but he died in the first ten minutes of the movie. Or did he? This may aptly be described as a giallo-noir for the unrelenting string of murders by a mystery man and the black-and-white gritty urban setting.

When a gifted Japanese craftsmen dies, his three daughters are summoned to decide who will take over the family ribbon business in this family drama. Only one daughter cares to carry on her father's work, but she is met with resistance from her stepmother. One sister cares nothing for the artisan tradition, while the other is an icy opportunist whose only love is for money. It is the daughter who cares the most for her father's work who wanders away in a symbolic journey of self discovery.

Before leaving prison, Oida uncomfortably enters into an agreement with his cell mate: in exchange for a half-share of 30,000,000 yen, he is to assassinate three strangers given to him on a list. However, upon meeting his first potential victim, Oida has second thoughts. Yet, even as he tries to back out, the body count starts climbing. Oida must now try to alert the people on his list of their impending danger, and find out why they are being targeted in the first place.

Legendary swordplay filmmaker Hideo Gosha's Sword of the Beast chronicles the flight of the low-level swordsman Gennosuke, who kills one of his ministers as part of a reform plot. His former comrades then turn on him, and this betrayal so shakes his sense of honor that he decides to live in the wild, like an animal. There he joins up with a motley group who are illegally mining the shogun’s gold, and, with the aid of another swordsman, gets a chance not just at survival but to recover his name and honor.

Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.

Film directed by Seiichirô Uchikawa.

The story of the role played by Japanese-American soldiers from Hawaii in the Korean War of the 1950s.

From birth Hideyoshi was a restless, defiant spirit--a child of the poorest of the poor. Cast out of his peasant cottage, he would live by his wits, driven by his burning ambition to become a samurai and to find a warlord worth pledging his sword to. This is the story of his rise, and the thunderous battle he pinned his hopes on. The challenge that had already ruined and bloodied the armies of higher-ranking samurai than Hiyoshi. The battle that brought him rank, fame and fortune and transformed him into Hashiba Hideyoshi, right-hand man to the ruthless Lord Oda Nobunaga, and would drive him on to conquer Japan.

In the eleventh year of the Tenpō era, the Kawarazaki-za theater in Edo buzzed with excitement for a new production of "Kanjinchō" by Naritaya, featuring music by the master Kineya Rokusaburō. However, Naritaya's requests to change some of Rokusaburō's most painstakingly crafted parts of the composition angered his disciple, Shinjirō, leading to a conflict and Shinjirō's abandonment of the shamisen. One day, Shinjirō was captivated by the mysteriously beautiful dance of Oaki, a traveling performer's daughter, who seemed to be channeling her art into a form of revenge.

Isshin Tasuke, a friend of Ōkubo Hikozōemon, the esteemed public arbitrator of the realm, saved the maid Onatsu from punishment after she accidentally broke a plate gifted by Lord Ieyasu. Tired of the strict samurai service, Tasuke moved to the Genbei tenements and opened a fish shop. This tenement housed various characters, including the landlord's daughter Osen who had a crush on Tasuke, the midwife Okan, the blind masseur Oyone and her husband, the carpenter-loving couple Yoshigorō and Ohama, the rōnin Takeuchi Yogoemon, and the siblings Ochika and Shin'nosuke who cared for their sick mother.

On February 4th of the 16th year of the Genroku era, Yatō Uemon no Shichi reminisces while waiting his turn for seppuku at the Mizuno residence. When news of his lord, Asano Naganori, attacking Kira Yoshinaka in the palace reached Akō, Uemon no Shichi was sixteen. The family elder, Ōishi Kuranosuke, determined to avenge, gathered allies, but Uemon no Shichi's father, Chōsuke, being sickly and considered too young, was not included. Chōsuke committed suicide.

In the fourth year of Keio (1868), defeated retainers sought to restore the Tokugawa shogunate with the help of Enomoto Takeaki's navy. Honda Koroiku was one of them. He discreetly handed a departure note to his fiancée, Otosei, the daughter of Matsudaira Soebe, and left Edo. Otosei's cousin and Koroiku's friend, Domae Daikichi, was once a brave warrior of the shogunate army. However, he had since fallen into a life of debauchery in Yanagibashi and was rumored to be involved with a geisha named Orikki.

During the tumultuous end of the Tokugawa shogunate, the Tengu Party rose in rebellion in Mito. Friends from their hometown, Tanaka Genzo and Fujita Koshiro, each walked different paths. Koshiro, who upheld the philosophy of "Revere the Emperor, Expel the Barbarians," became a leader of the Tengu Party, taking refuge in the mountains. Genzo, however, did not have any particular ideological stance.

At the Fugenji temple in Koishikawa, Edo, a memorial service for the 49th day after the passing of Kyogoku Takanori, the lord of the Tanba-Miyazu domain, was held. Despite being sons of Takanori, three brothers, who had different mothers, gathered, each having grown up in different circumstances.

Chikuzen, a ronin named Yoh Daisuke, after pacifying some ruffians at the theater of Onna-Kata Ogino Sawanojiki, formed a bond with the theater's bodyguard, Maruhashi Tadayasu, and Kaku, a priest. He ended up settling at the Kasugaya, the house of Oko, whom he had saved. When Oko decided to go to Edo, where her biological father lived, Daisuke accompanied her. Along the way, at Suruga Abe River, they encountered Sawanojiki's theater group, which had departed from Osaka earlier heading to Edo. A scuffle initiated by Tadayasu over a ferry boat with the students of Yui Masayuki but was amicably resolved through Masayuki's intervention.