Hong Eue-su

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

Taxi driver Sang-gu is an ordinary father who has made a happy family. Due to their unfortunate financial circumstances, he is sorry that he cannot afford to send his daughter Yoon-mi to university like other parents. Yet, with a bright smile on her face, Yoon-mi tells her father that she will one day buy him a new car and pay college tuition fees for her younger sibling. However, less than two years after Yoon-mi begins her job at a large corporate company, she gets seriously ill and returns home. Sang-gu is heartbroken to see his young daughter in such a condition.

Seven girls become good friends in high school, then events pull them apart for 25 years. When one of the friends lies dying in a hospital, she wishes to see each of them one last time.

Eun-yi is hired as a maid in a mansion owned by a wealthy businessman. He quickly starts seducing his employee who seemingly has little choice but to comply with his sexual advances. Soon the women of the family plot against Eun-yi who must fight an equally devious battle to protect herself.

A respected priest volunteers for an experimental procedure that may lead to a cure for a deadly virus. He gets infected and dies, but a blood transfusion of unknown origin brings him back to life. Now, he’s torn between faith and bloodlust, and has a newfound desire for the wife of a childhood friend.