Vesa Meriläinen

Ski Girls tells about four friends who have visited different ski resorts every year since their youth. They call themselves Ski Girls, even though they never ski and can no longer be called girls either. This time they are reunited for Emma's wedding. Emma's fifth wedding, that is. Their friendship will be tested as the other Ski Girls decide to stop Emma from making another mistake by getting married.

A couple inherit a 'house of their dreams' and for a while they think they got lucky, but soon find themselves in the middle of a renovation nightmare.

The career of Tuomas’ in the music industry is in a downhill spiral – but his plans of getting married with Leila are in full swing. Niklas and Antti decide to throw Tuomas the bachelor party of all times – but things don’t always turn out as planned – and the dudes end up in the funeral service of their old classmate.

Viktor Kärppä was forced involuntarily in the middle of Russia's internal power struggle. Soon bunch of assassins as well as Security Police are trying to catch Kärppä. Kärppä's family is also in great danger. In order to save themselves and their families they need to resort to Kärppäs friend, the police Korhonen , as well as his brother Aleksei.

Luokkakokous is a story about three men that travel back to their hometown to attend their high school class reunion.

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

It is 1595. Brutal wars have just ended in an uneasy peace between Protestant Sweden and Orthodox Russia. We focus on the spiritual defeats of two conquered Finnish brothers, one a hardened near-psychopathic war hero, the other a gentle scientist in an age with no use for such men. They find themselves in the swampy interior, demarcating the new border with a unit of sadistic Russians.