Francesco Antonio Maggi

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

It depicts the lives of several groups of characters interacting at the beach of Forte dei Marmi during the mid-1980s.

Paolo, 40 years old, lives in a small Friulian town close to the north-eastern border. Unreliable and with a passion for good wine, he spends his days at the local tavern and stubbornly stalks his ex-wife.

Like all sixteen-year-olds, Leo prefers the company of friends, motorbike rides and music to school. None of the teachers seem to be able to arouse his interest until the arrival in his class of a young history and philosophy substitute who, with his modern methods, helps him see the world with different eyes. In love with Beatrice, the ethereal girl of his dreams, Leo divides the world by colours. Beatrice is the red of love but he is forced to confront his own beliefs and fears when he discovers that the girl is suffering from leukemia, a disease that he links to white, a symbol of emptiness and loss.

Gilda has long since moved to a small southern island and earns her living as a prostitute in a context suspended between retrograde traditions and modernity. During one summer, his destiny intersects with that of Olivia and Crocetta, two women from the area, the former a happy wife and the latter an ugly, unlucky wife. The three are forced by fortuitous circumstances to come together to save themselves but their behavior attracts the suspicions of Nino Malachia, a brusque police commissioner who is convinced that they are hiding something.

Inside Bar Sport, a bar on the outskirts of Bologna managed by the histrionic Onassis, the adventures of regulars and casual patrons unfold. Searching for a pinball machine or a payphone, they encounter the omnipresent "technician," so called for his passion for soccer and always ready to chat or moderate other people's discussions. Thus, the ordeals of the handyman Bovinelli as he deals with the disasters at Muzzi's house, the diary of a provincial playboy's conquests, the sex life of the fiery prostitute Elvira, the search for a good restaurant during a dazed motorcycle trip with Cocosecco, or a trip to see Bologna play with the lawyer Della Lana become epic tales of tragicomic exploits.

Alfonso is a Neapolitan scientist, shy, awkward and unemployed. Gayan is a former Sri Lankan cricket champion who is penniless, just arrived in Naples and convinced he will find Paradise. Vincenzo is a rising politician thanks also to recommendations, but things do not go as he would have hoped. In a multi-ethnic Naples, the destinies of these three characters intertwine, who find themselves sharing a shack built illegally on the roof of a building. This paradoxical situation will give rise to a hilarious cohabitation between the three and a partnership that will make them find the courage to face their own destiny, changing it forever.

In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.

Gianluca, unable to bear the world's ills, decides to climb the Colosseum and isolate himself from everything and everyone. Friends and relatives awkwardly try to reach him and get him down. It will be an opportunity for everyone to stop and reflect; his grandmother tries to convince him with her wisdom that the solution is to face the world as it is, with a lighthearted approach.