Known for Camera
Yu Lik-wai (simplified Chinese: 余力为; traditional Chinese: 余力爲; pinyin: Yú Lìwéi; Jyutping: Yu4 Lik6 Wai4; born 12 August 1966), sometimes credited as Nelson Yu, is a Hong Kong cinematographer, film director, and occasional film producer. Born in Hong Kong, Yu Lik-wai was educated at Belgium's INSAS (Institut National Superieur des Arts de Spectacle) where he graduated with a degree in cinematography in 1994. Yu has become a mainstay in both the cinemas of China (where he is perhaps best known for his collaborations with director Jia Zhangke) and Hong Kong. Yu has served as director of photography for nearly all of Chinese director Jia Zhangke's films, and along with Jia, the two men founded their own independent film production company, Xstream Pictures.
Born
August 12, 1966 (age 60)
Birthplace
Hong Kong, British Crown Colony [now China]
Filmography
56 films


Plastic City
2009 · 1h 58m
country: Brazil
Yuda, a Chinese immigrant, and his adopted son Kirin, who he saved being eaten by a tiger in the jungle, stand at the head of a massive pirated goods operation that brings in both money and influence. But their empire is crumbling, as corrupt politicians and rival gangs seek to end their power in the city. Yuda is soon got arrested and his dedicated son tries his best to save not just the family business, but his father's reputation.


Jeonju Digital Project 2004
2004 · 1h 38m
country: Hong Kong
Three digital short films: 'Influenza' by Bong Joon-ho, 'Kyo-shin' by Sogo Ishii, 'Dance Me to the End of Love' by Yu Lik-wai


Dance Me to the End of Love
2004 · 30m
country: Hong Kong
Plastic city suffers from the big chill. The extreme weather conditions prohibits and human existence on the ground surface. An hostel is under this deserted landscape. A doorkeeper of the hostel Kirin is an orphan and nobody knows exactly where he is from. People named him Kirin simply because he earns his life by collecting emptied Kirin beer cans. One day he meets a woman nomad Lanian.


All Tomorrow's Parties
2003 · 1h 36m
country: Brazil
In a future century, after the apocalypse, Gui Dao dynasty controls continental Asia. Zhuai and his younger brother Mian are captured and sent to "Prosperity Camp" for reeducation. They soon discover that the camp's aim is to brainwash people with propaganda. Five years later, there's a change in government and they are free again. Zhuai falls in love for the beautiful Xuelan and together they take her to an old industrial city, now deserted. They get themselves a place to live in an abandoned apartment and try to rediscover the little pleasures of life.


Love Will Tear Us Apart
1999 · 1h 49m
country: Hong Kong
The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.


Neon Goddesses
1996 · 46m
country: Belgium
Three provincial girls departed for Beijing. Yu Quin works as a hostess in a night-club, leaving her two-year-old daughter in someone else's care. Hu Jin is a bit part player and runway model. Zun Ji worked as a dancer in a discotheque, but returned to her hometown after she became a drug addict.