Petr Makovička

A Dickensian mock-Gothic tale of resourceful children, evil governesses, forged wills, cruel orphanages, and goodness triumphant set against an isolated country house, in an alternate 19th century where savage packs of wolves roam the snowbound countryside.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Rock concerts used to be suspicious. They were supposed to attract all sorts of strange individuals who meant no good. In this case, it's a pair of escaped convicts who want to hide in the heat of the concert...

Twenty-year-old Karel is expelled from Bata's school of work and has no choice but to make his way in his uncle Kubát's publishing business at any cost. A very drastic adaptation of the draft has fundamentally changed the whole story, which is also set in a completely different historical context. The result was a schematic and tepidly propagandistic poster.

The former reputed lover and bon vivant Petr Vok from Rožmberk was widowed at the age of sixty-three. The loss of his much younger wife is hard to bear and it seems that nothing in his life will please him anymore. His loyal friends and servants do everything possible and impossible to cheer him up, but sometimes interesting situations arise, such as when they get him a guaranteed real mermaid. Will anyone be able to cure the master of his lethargy?

Alienation between the closest relatives is always a serious disorder of family judgment. Father and son not only do not see each other, but one does not even recognize the other when they meet by chance. No wonder, since the father has been in prison for a long time and his son was raised by a former family friend after his mother's death...

Experiences of a Tatra factory driver during demanding load tests of Tatra 148 trucks in extremely harsh climatic conditions during the construction of the Nizhnevartovsk oil pipeline.

Two young returnees from the First World War face a difficult future because they cannot find work. One eventually finds a job as an electrician, the other breaks into the Social Democratic press, where he gets the chance to watch up close how the Social Democratic leadership deceives its members and enters the service of the ruling classes. And a newly-trained journalist solves the problem of whether he should also adapt to the corrupt environment...

Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).