Alexei Aigui

The story of the Reels family who are valiantly attempting to protect the land their family bought one generation after slavery. This documentary, based on the 2019 ProPublica article, highlights the covert ways the legal system has been exploited to keep Black land ownership fragile and the racial wealth gap growing.

A two part documentary about the first five decades of Russian cinema: from its birth to 1953 - the death of Stalin and the first seedlings of the thaw. The film covers the most important milestones of cinema. Its introduction as a lowbrow entertainment, the impact of WWI and revolutions on the film process. The principal masters - Kuleshov, Vertov, Eisenstein - and their discoveries in film language at the turn of the 1920-30s. The arrival of sound. The evacuation of the Soviet film industry during WWII and the heroic work of the wartime documentary crews. Restricted film production and early signs of the thaw in the late 1940s - early 1950s. Film historians and art critics, directors and screenwriters put the history of cinema in a broader context, considering the path that the country took from Tsarist Russia to the totalitarian state under the rule of Stalin.

In post-war Lebanon, Ida, a young Lebanese girl, flees her small village and her alcoholic mother and goes to the big city. There, she starts dating a European man not knowing what is in store for her.

A mosaic of unusual destinies of our contemporaries. People shoot, speed forward in Jeeps, gallop on horseback… Strong men and beautiful women, enmity and quest for one’s roots… And all this amidst the beautiful and impressive nature: the steppes of Orenburg, the southern edge of Russian borderline between Europe and Asia, between settlements and nomads, between the familiar and the incredible.

The film "Who left the Light ..." is dedicated to the memory of theater director, theater and film actor Vladimir Ageev. He has been called "the main alchemist of modern filmmaking." A student of Anatoly Vasiliev, Vladimir Ageev paved his own path in art. His search and research led him to create his own creative style, to the "Theater of Mystery and Joy". The film uses archival recordings of the director's rehearsals, fragments from performances.

When Lyudmila Ivanova made her infamous claim during a US-Soviet TV programme in 1986 that ‘There is no sex in the USSR!’, her comment – although roundly mocked at the time – revealed a certain truth about Soviet attitudes towards sex and the ways in which it was controlled by the regime, rendering it largely invisible. With this documentary, the director takes us through 70 years of Soviet history to highlight the interplay between sex, politics and society and the changing meanings attached to sex and sexuality under different General Secretaries.

Everybody has a secret. Two young sisters abandoned by their mother. A strange woman sleeping on their couch. A sinister fugitive hiding in their barn. FBI agents snooping around. And the world seems to be coming to an end - with a bang, not a whimper. Yes, this is going to be the best birthday ever!

The film reveals the whole truth about the most extreme sport, base jumping, where every 60th athlete dies, according to statistics, but the risk of losing life does not stop anyone and every year there are more and more people who want to do it.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

Most of the action of the film takes place in the studio of a talk show, where a political scientist, a patriot, a pop star and other characters, led by the host, discuss the figure and legacy of St. Sergius of Radonezh. In the midst of recording, the Presenter suddenly finds out that his program is being closed. Having decided that he has nothing to lose, the Presenter goes all in and seeks, first of all, to "expose" the church, the authorities, and his interlocutors... But the effect is not at all what he expected. In the heat of a lively and even furious polemic, we begin to see the true Sergius of Radonezh, and in episodes of history, as in a mirror, we guess the problems of modern Russia.…

Orléans is a typical provincial Russian town on the banks of a salt lake called Yarovoye. The town is 'steeped in evil'. But it isn't some great evil. This evil is of a banal and everyday type: Lida the hairdresser has indiscriminate affairs, followed by numerous abortions; Rudik the doctor enjoys an endless supply of women, thanks to his position, neglecting his paralyzed father who lives with him and hoping the old man will die soon; the local officer of the law has no qualms about committing murder; a magician from the local circus might actually be sawing women in half on stage... One day, a mysterious man appears in this quiet backwater town. He goes by the title of the Executor: at least that's what it says on his business card...

They don't really know each other. She lives in penury. He holds a pawnshop. Poverty makes her marry him, despite she doesn't love him and even despises. After the marriage takes place, the family war begins. Based on a novel 'A Gentle Creature' by Fyodor Dostoevsky.

The main character of the film, Lieutenant Yuri Nikitin, despite his young age, is appointed commandant of the small town of Jericho on the Elbe. At the same time, Nikitin must take on quite serious responsibilities for improving life in the town. The four—storey building is the commandant's office of Jericho. The house used to belong to Hans Lemke, the owner of a pig farm, bakery and cheese factory. The townspeople think Lemke is dead, but he's alive. He hides in a tunnel and watches everything that happens in the town through the optical sight of a sniper rifle, especially the young officer who has settled in his house.

The film is based on the life of Marina Tsvetaeva, one of the most tragic and greatest poets of the 20th century. The authors follow her in Russia, then in immigration in Prague and Paris, and then her return to Russia where she committed a suicide a few month after her arrival.

The film is an attempt to recreate the world of Marc Chagall and his myth within the genre of a folklore ballad. We are not exploiting Chagall's images, but are attempting to create a dramatized projection of his creativity onto the movie screen, relying on both, facts and fantasy (as Chagall himself would).The story is based on real events which occurred at the time of Chagall's short-lived period in Vitebskin in 1917-18, during which time he creates the Academy of Modern Art, inspired by his dreams of a bright and beautiful future. Many pictures by Chagall and Malevich are used in the film.

In a fortress on a hill in Haiti a democratically elected president prepares himself for a state ceremony. On the day of the festivities the president finds his country in turmoil. The whole nation is in the grips of a riot that has broken out overnight. But nothing should stop the president’s ceremony.

Odesa businessman Marfela blackmails a visiting young man, Nikita, into taking on a job that he considers pure pleasure: he must compromise his wife so that Marfela can divorce her and inherit his dying brother's billions without any losses. Nikita seduces the woman, but she makes him a counteroffer: Elena asks him to kill her tyrannical husband. Marfela also demands that his treacherous wife be eliminated. The couple showers Nikita with threats, unaware that he is not who he claims to be...

A retired detective is trying to catch a serial killer who uses Russian letters to find his victims.

A young doctor relocates to a remote region of central Asia, thinking his fiancee soon will join him ...

Like every weekend senator Henri Pagès and his wife entertain guests at their beautiful mansion in a peaceful village near Paris. But this time around, things go awry: Pierre Collier, a psychoanalyst and consummate womanizer, is brutally murdered. Claire, his wife, dazed and confused by his corpse, with a smoking gun still in her hand, seems to be the ideal culprit...

Three young people find themselves stranded in the taiga without any means of subsistence and, most importantly, without "vint"—a drug without which they cannot imagine their lives. This forced journey through the taiga becomes for each of them a struggle to overcome the terrible power of "vint," to overcome their hatred of life, their past, and themselves... Only one of the heroes manages to emerge from this ordeal. The taiga took away from him the most precious things – his friends and his faith in his father – but gave him something else in return: a new life. Without vint.

Based on a short story Room number 6 by Chekhov. A doctor taking particular interest in his mental health patients ends up institutionalized himself.

Somewhere deep, deep in Russia there is a town called Marks (named after Karl Marks, founder of Communism theory) where all people are working on toy factory and receiving their wages as toys. News from other cities are arriving on very rare occasion. One morning, Boris, a former boxing who is running from something, wakes up in train and see four letters MAR_S. From his first steps he starts to meet new people as Gregori, young man with a dream who is in love with local librarian, Greta, whose dream is to get out from this god-forgotten town. With each new step, he is meeting new people, but the past is hard to escape

One day Pavel, a young man wounded in the war, suddenly shows up at the home of a Moscow scientist name Krymov and claims to be his illegitimate son. Krymov denies this, but out of compassion he helps arrange a necessary operation for Pavel. Then certain things begin happening which suggest to Krymov that he may have a psychologically unstable fellow on his hands.

This is a remarkably subtle film–a character study that focuses on Mitya’s attempts to cope with each new startling phase of discovery. At first he mourns for his dead wife, but then he discovers that he didn’t really know her.

The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.

Set in contemporary Moscow, this comedy drama from 72-year-old director Pyotr Todorovsky is a remake of Abram Room's controversial silent film Bed and Sofa (1927). Actor Sergei leaves his wife and drops in on friend Kostya, married to Rita. Rita and Sergei pair off after Kostya goes away on a business trip, and when Kostya returns, they become a threesome. Shown at the 1998 Berlin Film Festival.