Walid Bekhti

Tired of being offered the same cliché roles over again, Tom, a committed Franco-Beninese actor decides to make his first feature film with non-white performers. Through a film-within-a-film approach, the ensemble challenges norms and works toward empowerment.

Keren is a performer, filmmaker, activist. At 20, she left Israel to grow as an artist and person. After eight years in Europe, she feels the need to return to the contradictions she left behind. She joins the rallies against Netanyahu, volunteers with Palestinian families, finds love, keeps filming. The October 7 attack occurs. The war and genocide begin. The fracture keeps deepening.

In the 1980s, a family of Algerian origin set off from Parisian Suburb Asnières-sur-Seine in France towards Marseille to take the ferry to Algeria. Lydia is spending her first summer without her big sister, who has just gotten married. The father promises his children that they will discover a wonderful country that he has always been homesick for. In the rickety vehicle they are travelling in, there is an atmosphere of joy and excitement, freedom and nostalgia. But the mood in the small, cramped van quickly turns negative as the father becomes more and more annoyed and patriarchal the closer they get to their destination.

Between 2009 and 2011, I filmed and edited Nassim Lachhab's very first skateboarding videos in Rabat, Morocco. In 2020, after having lived in France and Spain, Nassim became the first Moroccan and African professional skater in history. Ever since then, I kept wondering: What had it been like for Nassim to rise to the forefront of the international skate scene, all the while wrestling with the challenges of immigration? In what way did his groundbreaking trajectory resonate with the current state of Morocco's skate scene?

Jordan, a shy and sweet boy, lives in foster care. The last visit he makes to his father in the hospital does not go as planned.

The routines of two women fuse together as their similar gestures get repeated over time. Their hands intersect through their shared memory one movement at a time. The daily routine of Hayat in her absolute loneliness builds as she tries to recollect memories of her grandmother. We observe both their lives separately, the gestures of both women seem to be in an ongoing, subtle dialogue. The rhythm of the events slowly forms itself as their days go by. Eventually, the bond between them unravels the motherly love that unites them.

Dorothée has arranged a delicate balance between motherhood, economic survival and political commitment. It holds firm on one of the last roundabouts in France. Jules finds her to also defend his interests. Singing.