Atsushi Sunagawa

A story goes around two families in Henoko, Nago city, in Okinawa, Japan where plans for construction of a new US military base are ongoing yet unsettled and in an unstable stage. Complicated feelings of two families in the area are depicted. A must-see is a duet of Opera and Ryuka (traditional Okinawan song) singing.

This film is broadly divided into three segments. The first shows clumps of meat drifting under the sea and eventually floating to the surface. The next, set in a black market on an American military base next to a seaside construction site, portrays a woman distributing meat to a throng of male laborers. The final segment takes place in a stalactite-laden cave from which a multitude of women emerge and move towards the sea en masse.

On Jeju Island and in Okinawa. A film that incorporates allegories in order to depict the anguish of regions that bear U.S. military bases.

X years after the “Shima pshoo” incident, aging Tarugani and Papajo are best friends who live in Patai Village, where those who failed to die continue to exist. When the two find themselves framed as thieves who stole an illegal substance from the local store, they set out on the road, chased by three dripping wet mysterious women.

A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.