Juan Pablo Saldarriaga Alaguna

Longtime retired couple Stella and Gerry realise that their relationship has reached a crossroads while on holiday in Amsterdam. After so much time and so many memories, long-held promises and deeply concealed wounds threaten to come to light and force them to confront their future.

A once-esteemed psychiatrist helplessly watches her life spiral into a nightmarish maelstrom of supernatural hysteria and gruesome deaths, all linked to a seemingly unstoppable ancient curse.

An endearing outlier, Brian lives alone in a Welsh valley, inventing oddball contraptions that seldom work. After finding a discarded mannequin head, Brian gets an idea. Three days, a washing machine, and sundry spare parts later, he’s invented Charles, an artificially intelligent robot who learns English from a dictionary and proves a charming, cheeky companion. Before long, however, Charles also develops autonomy. Intrigued by the wider world — or whatever lies beyond the cottage where Brian has hidden him away — Charles craves adventure.

Patel’s new film Trinity, continues his exploration of language and physical communication, centring on the discovery of a martial language that once united humanity. Interspersed with visual references from his life – both his artistic practice and his Indian cultural heritage, the film features two women – a young British Indian woman (played by Vidya Patel) and a young Deaf garage worker (played by Raffie Julien) – engaging in a fight, creating a unique physical language weaving together martial arts and sign language. A coming of age story intermingled with supernatural references, Trinity transforms traditional Indian practices with a recognisably Hollywood approach, employing an epic soundtrack and fight choreography. The film explores the representation of the British Indian experience on screen, emphasising the female voice, intergenerational conflict and the truth that our bodies hold beyond language, foregrounding a strong sense of hope.