Edwin S. Porter

A poor boy named Tom Canty and Edward, the Prince of Wales exchange identities but events force the pair to experience each other's lives as well.

Bella Donna ( Pauline Frederick ) a seductive woman snares Nigel Armine ( Thomas Holding ) into marriage and he takes her to Egypt to live. Tired of her simple husband, Bella becomes involved with brutish Baroudi. To get rid of Nigel, she begins slowly poisoning him. However, Nigel's friend Dr. Isaacson arrives in time to save him. Now Baroudi wants nothing to do with Bella, and neither does her husband. Totally alone now, the distraught Bella wanders off into the desert.

Zaza is a music hall star in Paris. She meets Bernard Dufrene and a flirtation develops into an intense love on her part. She is in despair when she discovers that he already has a wife and child. To visit them and announce herself as the mistress of the husband and father is her first idea, but the charm of the child restrains her. She cannot strike the blow and passes off her visit with an improvised excuse. She dismisses Bernard and returns to the stage, where she gains real fame as a dramatic artist. Once more he seeks her, but again the memory of the child saves her to her better self.

A silent romantic drama film directed by Hugh Ford and Edwin S. Porter

A successful artist and a struggling one both love the same woman; she chooses the poor one but as the years roll on and other choices she makes and her husband’s misunderstanding lead to a near breaking point for the couple.

Leone, a Papal guard, is devastated when his wife drowns herself after mistakenly thinking that he had abandoned her. He turns over his son David to be brought up by nuns, then enters a monastery. David is brought to London and is raised to be a beggar and thief until he is rescued by Dr. Roselli, an Italian political refugee, who raises David with his daughter Donna Roma. Years later David gets heavily involved in Italian politics and incurs the enmity of the corrupt Italian Prime Minister, which leads him to discover the hidden secrets of his family's past--and present.

Richard "The Imp" Audaine is a clever but dissolute orphan whose guardian and friends are trying to lead him from the path of ruin and back to his senses.

The statue of Niobe comes to life through the dream of a hen-pecked old man.

A silent comedy drama film directed by Hugh Ford and Edwin S. Porter

Jean finds the boyish manner in which her late father raised her, is now causing quite a lot of trouble for her, and she ends up in a reformatory. After escaping this prison she meets Craig Atwood, a handsome artist, and now Jean must prove through a series of trials, that she is worthy of his love.

A lost film. Queen Anna Victoria of Herzegovina is exiled from her tiny country and forced to live in poverty in America. Meanwhile, King Stephen of Bosnia, whom she loves but cannot marry due to political reasons, also is exiled to America. When both are forced by circumstances to get jobs, they go to work for wealthy New York meat packer Adolph Lauman who soon decides that his daughter should marry Stephen for social status. Eventually, Lauman's daughter convinces her father that she is in love with an American and Stephen and Anna are returned to their respective thrones, now free to marry each other. -From TCM.com Database, powered by the AFI.

A young girl, squatting on a wealthy man's land fights for her fellow squatters' right to stay.

A partially lost film, with only one surviving reel. A movie released in 1914 directed by Edwin S. Porter.

A lost film. A man and a woman are shipwrecked on a desert island. It doesn't take long before they fall in love and, figuring that they would never see civilization again, declare themselves married and eventually have a child. One day, however...

A French sailor, imprisoned for years on false charges of conpiring against the king, escapes and exacts revenge on his accusers.

Mr. Norton discovers his wife in the arms of his neighbor, Captain Roberts, a married man. His first maddened impulse is to kill his faithless wife, but on his way for the gun his little child runs to his arms to say good-night. The incident unnerves him and his wild determination is destroyed. He decides upon another course. He goes to Mrs. Roberts and tells her that he intends to ruin the Captain's home as her husband had ruined his, and that unless she consents to elope with him at ten o'clock that night he will shoot her husband on sight.

A lost film. A successful stage actress with a hidden past as a criminal is kept on the path of righteousness by a benefactor.

A kingdom's ascending heir, marked for assassination, switches identities with a lookalike, who takes his place at the coronation. When the real king is kidnapped, his followers try to find him, while the stand-in falls in love with the king's intended bride, the beautiful Princess Flavia.

Pretty Ann, and Joe, the hostler, one day chance to meet. Strong is Joe, and simple, and Ann is shy and sweet. As man and maid have done before, they love, and marry, too. And live happy ever after? Ah, this tale is new to you! Yes, the tale is drear, prosaic; and so poetry won't do. A baby boy comes to bless the union. Joe is working in the stables when they tell him of his joy: his heart is gay and happy, and he tells the horses so. Then, it might be the angels were jealous of such mortal happiness; it might be the devil, seeing the stage so set, entered to play the leading role.

A marital romance in which a married artist woos the wife of another man.

The old lighthouse keeper lives peacefully with his two daughters, who are both engaged to fisherman. One night he receives a message announcing the shipwreck...

Little Sherlock Holmes, Jr., reads the doughty doings of his hero-god, and at once determines to become a detective himself.

A 1911 silent drama film written and directed by Edwin S. Porter and Lois Weber. Starring Lois Weber, Phillips Smalley, and Charles De Forrest.

During the American Revolution, an innkeeper's daughter learns of a plot to assassinate George Washington while he will be staying at her father's inn.

Among the tall trees and mountains of the Far West, a father, son and daughter dwell peacefully in their mountain cabin, close to nature, seldom hearing of the great restless world outside, happy in their isolation. Jack, the son, visiting town on business, is tempted into a gambling saloon and takes part in a game of cards. Dalton, a gambler, undertakes to fleece the boy. The result is a fight in which Dalton is shot, and Jack becomes a fugitive.

It is Mr. Bunk's unlucky day. Before leaving for business, he is despoiled of all his ready cash by Mrs. Bunk for a bargain sale. At the office his homely stenographer (chosen by Mrs. Bunk) aggravates him by her eternal primping. About to discharge her, he is restrained by the sudden appearance of his wife laden with the spoils of the bargain counter. The bargains, of course, are of main importance. They are displayed and discussed with animation by the ladies. Business routine is shattered. Mr. Bunk, irritated beyond endurance, rages from the office intent on obtaining a stenographer of his own choosing. At the employment office, it is impossible to please him, until the arrival of Miss Dimples, a stunning blonde. Mr. Bunk can hardly wait for an introduction, and she is hired on the spot.

Nell, the boss's daughter, uses Sherlock Holmes' detective work, to choose between the two suitors at her dad's broker's office.

A mysterious metal box is bequeathed to Leo, a young Englishman, to be opened on his twenty-fifth birthday. It is opened in the presence of his guardian, and his servant. They find an Egyptian tablet 2,000 years old.

A handful of short tales of love, framed by leaf masks.

An office worker takes desperate measures in an attempt to get up on time in the morning.

A generous boy tries to help a girl who does not believe in Santa Claus because of her family's poverty.

A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her.

While in a park, a young woman sees her fiancé being quite affectionate with another woman. When she calls him on the telephone to demand an explanation, he tells her that it was his sister. She is not satisfied, and insists on coming over to meet his 'sister'. As the young man broods over how to get out of trouble, an old college friend comes over, and he offers to pretend to be the sister. At first this works, but soon it has created even more complications.

Jack and the daughter of a horse trainer are in love with each other, but when the trainer discovers them together, he makes it clear that Jack is unwelcome. Later, at the stables, another suitor for the daughter's hand appears. An unusual agreement is reached, under which the result of a race will determine which of the two the daughter will marry. But Jack's rival proves to be unscrupulous, and he will stop at nothing to be successful.

An energetic man steals kisses from passing ladies, until bystanders give chase.

Chollie and George compete for a young woman's affection, using trickery and sabotage.

A shopkeeper suffers the loss of some valuable merchandise, and thinks of a way to regain his losses.

A combination of the story of Goldlocks and the Three Bears with the true story of how Teddy Roosevelt spared a bear cub after killing its mother while hunting, an event which led to the popularization of the teddy bear. Goldilocks goes to sleep in the bears' home after watching six teddy bears dance and do acrobatics, viewing them through a knothole in the wall. When she is awoken by the returning bear family, they give chase through the woods, but she runs to the aid of the Old Rough Rider, who saves her.

Vesta Victoria Sings 'Poor John'.

A jealous husband arrives in the office of Hawkshaw, a private detective. The husband is certain that his wife is being unfaithful, and he wants the detective to produce photographic evidence. The detective tails the wife, and thinks he has caught her, but a sudden mishap prevents him from getting a photo. Despite this and further setbacks, the dedicated detective presses on, determined to fulfill his assignment.

An office boy plays hooky from work so he can watch a ballgame perched high atop a telephone pole. Includes footage of an actual baseball game as if seen through a telescope.

1906 comedy film by Edwin S. Porter, based on a popular song of the same title.

A cowboy gets involved in the kidnapping and rescue of a pretty young girl.

The Life of an American Cowboy is a Western short film.

In this color-tinted short, we first see a close-up of a red rose, perfectly formed. Then, we see the rose held by a young woman who is wearing a bright yellow dress. She's the second beauty. Behind her is a slow dissolve to the US flag, tinted in red, white, and blue, blowing in the wind. Behind the flag is a star-lit sky.

Two groups of young women get into a pair of horse-drawn carts, and go off for a straw ride through the snowy streets. As they pass by a group of children, the children throw snowballs at the riders, and they and other persons begin to join in the fun. Then one of the carts tips on its side, spilling some of its occupants into the snow. Everyone soon decides that they enjoy playing in the snow even more than riding.

A live-action film adaptation of the comic strip Dream of the Rarebit Fiend by American cartoonist Winsor McCay. This silent short film follows the established theme: the “Rarebit Fiend” gorges himself on rarebit and thus suffers spectacular hallucinatory dreams.

On Christmas Eve, Santa feeds his reindeer and loads his sleigh, before going on his journey to deliver toys to the children of the world.

A policeman has breakfast with his wife and children, and then prepares for the day's work. While on his beat, he finds and helps a lost child. Later, several officers try to save a woman who has attempted to drown herself. And there are some even more hazardous situations yet to come.

A romance between a railroad engineer and the switchman's daughter is nearly ruined by train wreckers who knock out the girl and leave her on the tracks to be run over. The engineer perches on the engine's cow catcher and rescues the girl.

Hazel, the miller's daughter, is courted by a country boy and a sophisticated city boy. Her father favors the country boy, but she elopes with the city boy. Before they can marry, his wife shows up and stops the ceremony. Hazel tries to return to her father, but he has disowned her. She jumps into the river, but is rescued by the country boy, who later marries her.

Several men take watermelons from a melon patch, and are pursued.

Two members of a vigilante group known as 'The White Caps' post a warning sign on a man's home. When the man comes home, he tears down the sign, and then proceeds to abuse his wife both verbally and physically. As soon as she can get away from him, the wife leaves home with her child to find a place of refuge. When the vigilantes find out about this, they arm themselves with rifles and immediately go to confront the abusive husband.

In this parody of 1903's "Great Train Robbery", also made by Edwin S. Porter, young bandits rob the passengers of a kiddie train and are chased by police officers.

The Young Ladies From Miss Knapp's Select School Have An Outing At Coney Island, N.Y.

If ever a film was in need of some narration this was it. Screened in four parts, lasting a total of approximately twelve minutes, it shows a bunch of old boys, some in full military regalia, others in top hats and suits travelling by boat from one dock to another. From there they make up part of a parade as they travel to a hotel. The men are Russian and Japanese envoys gathered by President Teddy Roosevelt to hammer out a peace deal to bring the Russo-Japanese war to an end.

A portrait of the Dam family.

One at a time, we meet eight members of the Dam family.

A panorama of Coney Island, taken at night: the camera sweeps across the scene from a vantage point well above the area. It then moves in for closer views of Dreamland and Luna Park.

Jones is on his way home, carrying a roll of money, when he meets a neighbor who is a notorious miser. The neighbor unexpectedly invites Jones to dinner, and serves him a large meal with plenty of wine. After dinner, the neighbor suggests a way of passing the time - and soon his real intentions become clear.

A couple who have known each other all of their lives are shown together at different stages of life. First, as children, they play together affectionately. Soon afterwards, they are at school together, and as they grow older, they become lovers. Later on, their relationship and their lives move on to more important matters.

A well-dressed woman leaves her home and takes a carriage to a department store. While she is in the store, she steals several items, and is caught by store employees. Meanwhile, a poor woman with two small children steals a loaf of bread out of desperation, and she is quickly caught and arrested. Both women are taken to the police station and then into court, to see what penalty each of them must face.

A married couple faces the demands of what Theodore Roosevelt called 'the strenuous life'.

A pump stands outside a farmhouse, just inside a picket fence. A boy comes out of the house and dresses up the pump handle and its post as a scarecrow, so that he can play a practical joke on a drunken acquaintance when he passes by. The boy then hides and waits for him, but things do not turn out quite as he planned.

A recently-released convict attempts to do right but struggles to support his wife and ailing daughter.

The title of this early US film is something of a con really. Another rube couple had appeared in an entertaining movie set at Coney Island the previous year, and that film had been quite entertaining (for it's day) so any audience of the time would have been forgiven for thinking this film would provide them with more comedy along the lines of the first film.

A tramp gets involved in mischief on a train.

A true-crime short of a bank robbery and chase and capture.

An over-the-hill American tourist has a terrible time on his European "rest cure" vacation.

A French aristocrat, who has recently arrived in America, has placed a personal advertisement in the newspaper...

Dreamland was a theme park at Coney Island, Brooklyn that opened in 1904. One of its major attractions was the stunt spectacular "Fighting the Flames," which simulated a major fire at a six-story hotel and featured a cast of 2000 including 120 firefighters, who had to rescue guests jumping from windows as well as 15 people trapped on the collapsing roof. Ironically, Dreamland itself was destroyed in 1911 in a massive fire.

The subject of this documentary is an orphan asylum for infants. The beginning portion includes the dining facilities for the children. A woman dresses as a nurse leads approximately two hundred small children into the eating area where they stand behind their chairs. At a given signal, each child sits down and begins eating. The remainder of the film is devoted to showing some of the infants, less than a year old, being pushed in baby carriages and bathed, and later having haircuts. All of the children wear similar attire and the nurses wear uniforms. New York City.

A location actuality filmed in Philadelphia (May 27–28, 1904) documenting the Inter-Collegiate Athletic Association’s championships: sprint and field events, crowds, and collegiate pageantry, presented with intertitle introductions.

A Japanese juggler performs some marvelous juggling feats with a boy. Lying on his back on the floor, he spins the boy with his feet and makes him turn numerous somersaults

Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

An artist is painting a sunrise at sea. After a few finishing touches he stands back and admires the painting. The sun immediately commences to rise. From all appearances it becomes very warm as the sun rises, and the artist is seen to throw open the window and fan himself furiously. The climax is reached when the artist rushes from the room and returns with a large tub of water and a pair of tongs. Seizing the sun as it soars in the air he plunges it into the tub, causing a great cloud of steam to rise.

Opens with a European-American woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.

The severe cold of the winter of 1903-04 allowed the rapids of Niagara Falls to freeze over, allowing the brave tourists to enter the chasm and cross to the other side over the formed ice bridge.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

"Cholly" wishes to call on his best girl and sends her a large bouquet. To find out if the girl really loves him, he sends a note with the messenger boy requesting her to "wear this" if she does. The boy delivers the note and a package which the young lady opens and finds an old pair of trousers and other masculine wearing apparel.

Based on the novel by Harriet Beecher Stowe: Eliza, a slave who has a young child, pleads with Tom, another slave, to escape with her. Tom does not leave, but Eliza flees with her child. After getting some help to escape the slave traders who are looking for her, she then must try to cross the icy Ohio River if she wants to be free. Meanwhile, Tom is sold from one master to another, and his fortunes vary widely.

A country couple enters Coney Island's Steeplechase Park. They proceed to amuse themselves on the steeplechase, tightropes, plaza, mini-locomotive and chutes.

Scene, interior of a street-car. A stout man enters and sits down alongside of a friend and proceeds to read a comic paper. He shows a joke in the paper to his friend, and the both laugh heartily. The friend leaves the car, and his absence is not noted by the stout man. An elderly matron takes the seat. Without looking up the stout man shoves the paper in front of the face of the old lady, thinking his friend is still there.

A fine picture of the celebrated "White Wings" or street-cleaning department of one district of Greater New York, showing over 350 men in line, and over 100 carts that are used to carry the refuse away to the dumping-wharf, marching through the streets of New York.

It seems as if there was no subject so mundane or seedy that it was considered unworthy of filming by Edison and his contemporaries at the turn of the century. Here the cameras - and New York City in 1903 must have been teeming with intrepid cameramen roaming the streets in search of something - anything - to film - capture the work of a few poor souls employed to spread the garbage dumped onto a massive wharf docked by the edge of the (apparently) East River.

There must have been millions of subjects for Edison's filmmakers to point there cameras at back in 1903 so why on earth they thought that the collection and disposal of New York City's rubbish would prove a suitable subject to present to their dwindling audiences is a mystery. Add to this the fact that the camera has been positioned about a dozen feet from the men and you're left with a film that's as dull as it is unmemorable.

A magnificent picture of this boat making a run and starting the water from a least a dozen nozzles at once...

A view of Riker's Island and its landfill, filmed from a passing boat on 9 May 1903. While heavy steam powered construction equipment construct a sea wall, nearby garbage scows are unloaded by steam shovel.

A fine panoramic view of this busy market on a Friday morning. Immense throngs of people are passing along the stands and making their purchases of fish.

Panorama of Blackwell's Island

The "Patrol" is seen chasing a row-boat containing river pirates. The pirates are pulling at the oars with all their strength, but a few shots from the Police Boat weaken their nerves and they give up. When the "Patrol" comes up near them, it lowers a dory and a number of policemen make the capture. As the pirates are landed on the Police Boat a fierce fight takes place between them and the police, but the latter overcome the offenders and land them safely on the boat.

It seems Edison made a ton of these panorama films back in '03. They probably rented a boat for a couple of days, packed sandwiches and beer and floated around New York with the camera pointed at buildings. As panoramas go this one isn't as bad as some - Panorama of Riker's Island for example. What a stinker that was - Lord only knows what they were thinking of there.

Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom...

Film depicting the killing of Topsy, an elephant employed to help build Luna Park on Coney Island.

Scene Bowery. Young woman drops her handkerchief while passing a Rube. He picks it up and gives it to her. She induces him to go into a side door of a saloon. Second scene, saloon. Rube and woman enter, take seats at table and order drinks. While the Rube is paying for same, woman puts knock-out drops in the Rube's glass. They drink and the Rube falls asleep. Woman takes all his valuables and leaves. Waiter wakes him up. He discovers his watch gone, fights with waiter, and is thrown out. Third scene, outside of saloon. Police patrol drawn up. They put Rube in and drive off.

Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing on cinematographic methods reminiscent of 'Georges Melies' , Porter uses animation, double exposure, and trick photography to illustrate the fairy's apparitions, Jack's dream, and the fast growing beanstalk.

A businessman makes a luncheon appointment with a young lady, but finds that his wife disapproves of the arrangement.

This picture shows the prisoners after completing their day's work of cleaning up the grounds of the Charleston Exposition, taking their positions along the long chain which secures the whole band of prisoners. They are marched past our camera to the prison, accompanied by the guards, who carry shotguns to prevent any from escaping.

The Washington Star of April 1st, 1900, gave the following account of the ceremony: "Over 40,000 women and children passed through the White House Gates to-day during the hours set apart for the great National show of Egg Rolling, and when the President stepped on the south front gallery at 4:15 P.M., at least 20,000 were within the grounds. The Marine Band rendered a programme of popular music. The President's children entertained at least fifty young friends during the day with a view of the egg rolling from the balcony, but none of them mingled with the great throng, preferring to view the panorama from the distance. They were much amused with the antics of the great crowd of children, who were of all colors and from every walk of life."

A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various faces and shapes. There is some experimental use of stop motion.

A fire has swept through Durland's Riding Academy in Manhattan. The fire has mostly died down, but firefighters are still at the scene, hosing down the smoking remains of the buildings. Many others are there as well, helping to clean up, inspecting the ruins, or just getting a look at everything.

The public throughout the world is acquainted with the sensational capture of the Biddle Brothers and Mrs. Soffel, who, through the aid of Mrs. Soffel, escaped from the Pittsburg jail on January 30th, 1902.

A comic picture that defies description. It depicts the Twentieth Century up-to-date tramp flying over the chimney tops of New York City in the latest improved flying machine. Weary Willie has the indispensible tin can hanging from his waist and he waves his hands to his friends as he flies along. He passes over the top of the Equitable Life building and other New York sky scrapers. He flies over the East River and clears the top of the Brooklyn Bridge, and appears to be making his way toward Staten Island. When he is about in the centre of the river, his flying machine explodes, and like the unfortunate McGinty, down goes Weary William.

A most perfect picture of the Pan-American Exposition buildings, including the Electric Tower and Temple of Music, as they appear at night.

This film is difficult to classify. It opens on a scene showing a mourner with bowed head sitting in front of what appears to be a tombstone. Shortly afterwards, the face of Abraham Lincoln and then of two other presidents, Garfield and McKinley, can be seen on the monument and then they disappear. There is a figure huddled at the foot of a statue of Justice, as if asking forgiveness.

A great feature of the Pan-American Exposition, as unanimously conceded by all visitors, was the electric illumination of the Exposition grounds at night. After a great deal of experimenting and patience, we succeeded in securing an excellent picture of the buildings at the Pan-American as they appeared when lighted up at night.

We present here a series of interesting pictures and show a number of scenes just as witnessed by a visitor to the Great Forepaugh and Sells Bros. combined four-ring circus. We begin by showing the complete circus parade as it takes place in the street. The first scene shows the parade coming down a broad asphalt avenue with park in background. Entire parade shows elephants, camels, band wagons, chariots, cages of animals, and full circus paraphernalia, making a most interesting subject. The next picture shows the assembly or grand entry, and includes the entrance into the arena of the elephants, chariots, wild animals, horses, camels, etc.

Two lifeguards rescue a female bather after faltering and sinking while swimming.

A most interesting picture at the Pan-American Exposition. The picture was taken from the north side of the Electric Tower. It presents the most perfect and diversified views of the Transportation Building, Mexican Plaza, the Stadium and the north side of the Electric Tower. (Edison Catalog, 1902)

A very short, simple trick film with some pool divers in reverse.

This subject is in three scenes, showing beautiful dissolving effects. Scene 3. The Man Behind that Teacup shows Admiral Sampson the centre of attraction of a group of old maids at an afternoon tea party.

One of the principal features at the Pan-American Exposition is the Alaskan or Esquimaux Village. In this most interesting exhibit...

The Pan-American Exposition is encircled by an especially constructed canal, which was put in for the purpose of allowing the tourist to view the exterior of the buildings of the Pan-American Exposition with as little fatigue as possible.

Shows a tramp asleep. Two mischievous boys appear on roller skates. One removes his skates and they strap them to the feet of "Weary Willie." They then wake him...

Shows a bedroom in a hotel. On the wall of the room is a conspicuous sign "Don't blow out the gas." A hayseed enters the room, accompanied by a bellboy. The boy deposits the Rube's bag and umbrella, turns a somersault, and vanishes through the door. The Rube then removes his hat and coat and places them upon the table. They immediately vanish. He then blows out the gas. The scene then instantly changes to a funeral procession, headed by Reuben's hearse, and followed by the carriages of his country friends. Strictly up-to-date picture. (Edison Catalog, 1901)

This wonderful dog "Mannie," owned by the vaudeville star, Miss Laura Comstock, is a most learned animal. He has been trained to perform all sorts of tricks, and his intelligence is, perhaps, most marked in his latest and most difficult feat, that of punching the bag. This picture depicts him in a bag punching performance which is really wonderful. His high jumps and lightning-like punches are remarkable and cause one to marvel at the amount of patience that must be necessary to teach a dog such tricks.

It shows a garden wall in the background. Two lovers appear and lean over the garden gate where the moon throws a shadow upon the ground. The young man invites the young lady to a settee, when the moon's face brightens into a very pronounced grin. As the pair begin love making, the moon winks one eye and then the other, and, finally, as the lovers become more interested, the moon comes down from the sky with a grin on his face as large as an old-fashioned apple pie.

Cavalry and foot-soldiers escort President McKinley.

A gilded saloon, with a fancy bar, forms the background. A nobby bartender with white coat and apron is dispensing drinks to customers. Behind him are polished plate glass mirrors. A comical Irishman enters, sets a huge pail on the bar to be filled, and while he is drinking a glass of foam beer, Mrs. Nation and her followers enter with their hatchets. One of the women jams the Irishman's stiff hat down over his eyes and another one douses him with his own pail of beer. They then wreck the saloon and smash the mirrors, bottles, cash register and bar fixtures. The bartender plays a stream of seltzer water on Mrs. Nation, and as she backs away from behind the counter, a policeman enters and hustles everybody out. Full of comedy from start to finish. (Edison Catalog)

An old maid is walking about the studio while the photographer is getting his camera ready. She first looks at a hanger, which immediately falls from the wall, not being able to stand her gaze. Then she looks at the clock, and her face causes it to fall to the floor with a crash. She then walks over to the mirror, which suddenly cracks in several places. The photographer then poses her. Just as he is to press the button the camera explodes with a great puff of smoke, completely destroying the camera and demolishing the studio. The picture finishes up with the old maid tipping back in her chair and losing her balance, displaying a large quantity of fancy lace goods. Cross-dressed Gilbert Saroni reprises the role of the old maid.

The scene opens in the bedroom of Mr. Nation, husband of the famous Carrie Nation, the “Kansas Saloon Smasher”. Mr. Nation suddenly arises from the bed and picks up a crying infant from the cradle, and walks it up and down the floor. He suddenly steps upon a tack, becomes infuriated, and throws the baby back into the cradle…

Gilbert Saroni impersonates an exceedingly ugly woman who coyly flirts with her fan.

Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made.

This picture shows an old gentleman seated at his shaving table. The razor is evidently giving him a great deal of trouble...

Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead the fair Marguerite. Faust refuses, whereupon Mephistopheles draws the sword across the throat of the lady and she suddenly disappears and Faust is seated in her place.

The scene opens in the interior of an artist's studio. Mephisto appears mysteriously and signals the pictures to come to life. They step down from the frames and walk forward, admiring their costumes. Mephisto then touches the artist on the shoulder, awakening him, and disappears. The artist, after rubbing his eyes, sees the picture on his right hand side and jumps up to embrace her. After embracing her once, he makes a second attempt and she disappears. The artist now wakes up, jumps to his feet, and runs to see if the picture are still in the frames. He examines them and finding that they are still fast on the wall, realizes that the has been dreaming and seeks consolation in the bottle.

"Nothing new, but an old thing done over again and done well. Some one has attempted to describe a kiss as "something made of nothing," but this is not one of that kind, but one of those old fashioned "home made" kind that sets the whole audience into merriment and motion, and has always proven a popular subject. It is very fine photographically and an exhibit is not complete without it." -Edison film catalog.

Poor Uncle Josh is trying to get to sleep, but being constantly bedevilled by a fellow in red long underwear with horns. A short early trick editing film using a stationary camera much more valuable for its historical, rather than entertainment value.

The magician enters upon a stage, and removing a covering from a small table, shakes it before the audience to show that there is nothing whatever concealed inside, places the cloth upon the floor, and when he removes it five large geese are found to be swimming in the water. The magician takes the geese out of the tub, and places them on the stage, and they walk away. He again places the cloth over the tub, and when he removes it the tub disappears and a small boy stands in its place.

The scene opens on a theatrical stage. The magician enters from the wings, and making a bow to the audience, removes his coat and hat and they disappear mysteriously in the air. He then takes a white handkerchief from his pocket, holds it over his knees, and his long trousers disappear, and behold! he is clad in knickerbockers. He next makes a pass with a magic wand and a table suddenly appears before the audience, on which is a large pile of tissue paper. The magician takes up the paper and shakes it a few times and three live geese fly out upon the floor. This is a highly pleasing and mystifying subject.

The scene takes place in a fashionable cafe. A well dressed couple enter, and after a careful perusal of the menu, conclude on an order of boiled eggs and Welsh rarebit.

From behind a curtain three men appear on screen. The first wears a combination of tuxedo and kilt. The second wears a Scottish kilt and holds a spear and a shield. The third wears a military tunic and sword. All three attempt to dance a version of the Highland Fling. In the background a banner with the words Scotch Whisky emblazoned on it is clearly visible.

The professor shows his power to Mephisto by mysteriously placing a young lady in a swing. Mephisto then shows his power by making the young lady disappear from the swing, to the surprise of the professor. The professor makes another mystic pass and produces a second young lady then in the swing, and also a skeleton.

Uncle Josh checks into a hotel, presumably to get a better nights rest than he gets at home. Of course the way bad luck follows Josh around we know this is a forlorn hope. Sure enough, quicker than you can say "Georges Méliès" a ghost pops up to make sure Uncle Josh is denied a good nights rest.

This commercial traveler has evidently had a wet day judging from the strange things he sees at his hotel. The hall boy shows him to his room, puts down his grips, and then disappears through the ceiling. Drummer pushes button five times for a drink, and waiter appears through the floor. Drummer turns to sit down on the bed it disappears. He fights with the waiter, is overcome, and waiter locks him in a trunk and sits on it. After a while he opens the trunk; behold, it's empty. Drummer appears mysteriously, picks up a big book, hits waiter on head, and drives him through the floor. Drummer dances in delirious glee.